Boomkat Product Review:
Catherine Lamb’s duo piece for quarter tone bass flute and double bass encourages listeners to dwell on the moment, here performed by Rebecca Lane (quarter tone bass flute) and Jon Heilbron (double bass), with recording by Adam Asnan at Andreaskirche, Berlin in 2019.
It’s a piece that only reveals its message with durational, immersed listening in order to inhabit and process its extra subtle shifts from timbre to pitch. The work appears to require the pairing to converse in etheric, sustained drones that hold to a soft, wavering tension, but mainly operating around lower end frequencies in a way that doesn’t demand attention but rather seduces it like dreamily mellow sirens on a rock that we, as listeners, circle from a distance.
The sound follows in spirals drawing us closer in but somehow keeping the its gauzy smear of tones at arms length in the most beautifully elusive, hypnagogic terms. Trust there are no snags or hypnic jerk moments, just a steady orbit without resolution that leave us floating and strangely calmed.