Boomkat Product Review:
Edition RZ present Hermann Scherchen’s “realization” of J.S. Bach’s late period chamber work, Musikalisches Opfer or Musical Offering, which was completed by Bach in 1747 and is here recorded under Scherchen’s direction in Berlin, 1949, some years after he returned to city, and before he quit the Berlin Broadcasting radio station due to rival cold war sides jamming their signals.
Apparently comparable to the famous Goldberg Variations and the Art of the Fugue compositions (which is lucky, ‘cos they’re the only Bach bits these ears are ((sorta)) familiar with), Musikalisches Opfer was written in dedication to Prussian King Frederik the Great, and also includes a fugue theme penned by the King, which Bach treated “according to all the rules of counterpart”.
Scherchen’s “realisation” - so called as the studied master of Bach’s compositions (some 20% of his recordings were Bach compositions) preferred the term over “interpretation”, which implied, for him, a reliance on emotional reading - is a studiously technical representation of the original work arranged for instruments that were available in Bach’s day: 2 violins, viola, violoncello, flute, oboe, English horn, (oboe d’amore ad lib.), bassoon and harpsichord.
The results are, or course, utterly timeless. Would sound great mixed with some Bassline or Monta Musica, though.