Buenos Aires-born sound artist Nicolás Melmann uses Satie's "furniture music" concept to guide three meditative, minimalist compositions that fall somewhere between Richard Skelton and Arvo Pärt.
Working with generative music and experimenting across different media, Melmann is tuned in with what Satie had in mind when he wanted to shift the experience of listening itself. Melmann's music is similarly rich, made from instrumental recordings and synthesized electronic sounds, and it's more than an album. His website extends the piece, allowing users to control the music's behavior with images that blend the various instrumental and electronic textures on the fly to create their own listening experiences. The album itself is subtle enough for it to float around in much the same way - Melmann's vanishing electroacoustic soundscapes are beautiful and ephemeral. Like wallpaper, they're decorative and unusually forgettable. If you look closely, there are quirky textures to study, but 'Música Aperta' is an album that's best enjoyed at a distance.
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Buenos Aires-born sound artist Nicolás Melmann uses Satie's "furniture music" concept to guide three meditative, minimalist compositions that fall somewhere between Richard Skelton and Arvo Pärt.
Working with generative music and experimenting across different media, Melmann is tuned in with what Satie had in mind when he wanted to shift the experience of listening itself. Melmann's music is similarly rich, made from instrumental recordings and synthesized electronic sounds, and it's more than an album. His website extends the piece, allowing users to control the music's behavior with images that blend the various instrumental and electronic textures on the fly to create their own listening experiences. The album itself is subtle enough for it to float around in much the same way - Melmann's vanishing electroacoustic soundscapes are beautiful and ephemeral. Like wallpaper, they're decorative and unusually forgettable. If you look closely, there are quirky textures to study, but 'Música Aperta' is an album that's best enjoyed at a distance.
Buenos Aires-born sound artist Nicolás Melmann uses Satie's "furniture music" concept to guide three meditative, minimalist compositions that fall somewhere between Richard Skelton and Arvo Pärt.
Working with generative music and experimenting across different media, Melmann is tuned in with what Satie had in mind when he wanted to shift the experience of listening itself. Melmann's music is similarly rich, made from instrumental recordings and synthesized electronic sounds, and it's more than an album. His website extends the piece, allowing users to control the music's behavior with images that blend the various instrumental and electronic textures on the fly to create their own listening experiences. The album itself is subtle enough for it to float around in much the same way - Melmann's vanishing electroacoustic soundscapes are beautiful and ephemeral. Like wallpaper, they're decorative and unusually forgettable. If you look closely, there are quirky textures to study, but 'Música Aperta' is an album that's best enjoyed at a distance.
Buenos Aires-born sound artist Nicolás Melmann uses Satie's "furniture music" concept to guide three meditative, minimalist compositions that fall somewhere between Richard Skelton and Arvo Pärt.
Working with generative music and experimenting across different media, Melmann is tuned in with what Satie had in mind when he wanted to shift the experience of listening itself. Melmann's music is similarly rich, made from instrumental recordings and synthesized electronic sounds, and it's more than an album. His website extends the piece, allowing users to control the music's behavior with images that blend the various instrumental and electronic textures on the fly to create their own listening experiences. The album itself is subtle enough for it to float around in much the same way - Melmann's vanishing electroacoustic soundscapes are beautiful and ephemeral. Like wallpaper, they're decorative and unusually forgettable. If you look closely, there are quirky textures to study, but 'Música Aperta' is an album that's best enjoyed at a distance.
Light blue vinyl.
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Buenos Aires-born sound artist Nicolás Melmann uses Satie's "furniture music" concept to guide three meditative, minimalist compositions that fall somewhere between Richard Skelton and Arvo Pärt.
Working with generative music and experimenting across different media, Melmann is tuned in with what Satie had in mind when he wanted to shift the experience of listening itself. Melmann's music is similarly rich, made from instrumental recordings and synthesized electronic sounds, and it's more than an album. His website extends the piece, allowing users to control the music's behavior with images that blend the various instrumental and electronic textures on the fly to create their own listening experiences. The album itself is subtle enough for it to float around in much the same way - Melmann's vanishing electroacoustic soundscapes are beautiful and ephemeral. Like wallpaper, they're decorative and unusually forgettable. If you look closely, there are quirky textures to study, but 'Música Aperta' is an album that's best enjoyed at a distance.