Music from Patch Cord Productions
Mort Garson
Music from Patch Cord Productions
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
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Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
Estimated Release Date: 06 November 2020
Please note that shipping dates for pre-orders are estimated and are subject to change
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
Purple vinyl.
Estimated Release Date: 06 November 2020
Please note that shipping dates for pre-orders are estimated and are subject to change
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
Estimated Release Date: 06 November 2020
Please note that shipping dates for pre-orders are estimated and are subject to change
Boomkat Product Review:
High kitsch Moog fancies reaped from the catalogue of prolific ‘60s songwriter Mort Garson, following reissue of his legendary ‘Plantasia’ with a deeper dive into his archive of saccharine space lounge and new age music
Switching between minute long jingles, cod-baroque and delirious porno soundtracks, it all gets a high reading from our dusty kitsch-o-meter and will surely light up a lot of retro-futuristic fetishists out there. It could all be compared to the likes of Patrick Cowley, Bruce Haack or some Italian library jizz, with outstandingly corny gear tucked away in ‘Geisha Girl’, the throbbing space-disco of ‘Dragonfly’, and a ravishing ‘Theme from Music for Sensuous Lovers Part I (Instrumental)’, plus extra twee baroque whimsy in ‘Rhapsody in Green’ and cartoonish absurdity of his ‘Son of Blob Theme’.
“Music From Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ‘70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance.
Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out.”
More from Mort Garson:
-
Mort Garson Mother Earth’s Plantasia (Audiophile Edition) Sacred Bones Records Electronic- 2LP
-
FREE MP3 WITH VINYLMort Garson Didn't You Hear? Sacred Bones Records Electronic
- MP3
- FLAC
- WAV
- LP
- Colour LP
-
Mort Garson This Is My Beloved Sacred Bones Records Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLMort Garson Mother Earth's Plantasia Sacred Bones Records Modern Classical / Ambient
- MP3
- FLAC
- WAV
- Colour LP
- CD
More from Sacred Bones Records:
-
Lucifer (Mort Garson) Black Mass Sacred Bones Records Electronic
- Colour LP
- LP
-
Mort Garson Mother Earth’s Plantasia (Audiophile Edition) Sacred Bones Records Electronic
- 2LP
-
Ataraxia The Unexplained Sacred Bones Records Electronic
- Colour LP
- LP
-
FREE MP3 WITH VINYLMort Garson Didn't You Hear? Sacred Bones Records Electronic
- MP3
- FLAC
- WAV
- LP
- Colour LP
-
Uniform Shame Sacred Bones Records Dark Ambient / Drone / Metal
- MP3
- FLAC
- WAV