Unexpected and ace experimental turn from UK bass minimalist Paleman, sounding out like Harry Bertoia or Michael Ranta in three haunting pieces for percussion
Getting back to his roots as a percussionist, Paleman performed these works with mallets on cymbal with results that may well surprise follows of his usual, club-ready production style. OK, they could be said to loosely echo the atmospheres of his records, but these recordings are all acoustic and without computer programming, and evoke a sort of post-rave warehouse atmosphere as much as echoes of the 20th century avant-garde.
The first part comes across like Harry Bertoia reverberating his metal sculptures in a vast cold warehouse littered with the aftermaths of a rave, while the second part recalls Michael Ranta’s meditative but driving gong rhythms, and the third reminds of Anne Tardos’ recordings of a fridge defrosting, or even Fridge Trax, with a fourth part drawing in a thick haar of Deathprod-like drone dread.
View more
Unexpected and ace experimental turn from UK bass minimalist Paleman, sounding out like Harry Bertoia or Michael Ranta in three haunting pieces for percussion
Getting back to his roots as a percussionist, Paleman performed these works with mallets on cymbal with results that may well surprise follows of his usual, club-ready production style. OK, they could be said to loosely echo the atmospheres of his records, but these recordings are all acoustic and without computer programming, and evoke a sort of post-rave warehouse atmosphere as much as echoes of the 20th century avant-garde.
The first part comes across like Harry Bertoia reverberating his metal sculptures in a vast cold warehouse littered with the aftermaths of a rave, while the second part recalls Michael Ranta’s meditative but driving gong rhythms, and the third reminds of Anne Tardos’ recordings of a fridge defrosting, or even Fridge Trax, with a fourth part drawing in a thick haar of Deathprod-like drone dread.
Unexpected and ace experimental turn from UK bass minimalist Paleman, sounding out like Harry Bertoia or Michael Ranta in three haunting pieces for percussion
Getting back to his roots as a percussionist, Paleman performed these works with mallets on cymbal with results that may well surprise follows of his usual, club-ready production style. OK, they could be said to loosely echo the atmospheres of his records, but these recordings are all acoustic and without computer programming, and evoke a sort of post-rave warehouse atmosphere as much as echoes of the 20th century avant-garde.
The first part comes across like Harry Bertoia reverberating his metal sculptures in a vast cold warehouse littered with the aftermaths of a rave, while the second part recalls Michael Ranta’s meditative but driving gong rhythms, and the third reminds of Anne Tardos’ recordings of a fridge defrosting, or even Fridge Trax, with a fourth part drawing in a thick haar of Deathprod-like drone dread.
Unexpected and ace experimental turn from UK bass minimalist Paleman, sounding out like Harry Bertoia or Michael Ranta in three haunting pieces for percussion
Getting back to his roots as a percussionist, Paleman performed these works with mallets on cymbal with results that may well surprise follows of his usual, club-ready production style. OK, they could be said to loosely echo the atmospheres of his records, but these recordings are all acoustic and without computer programming, and evoke a sort of post-rave warehouse atmosphere as much as echoes of the 20th century avant-garde.
The first part comes across like Harry Bertoia reverberating his metal sculptures in a vast cold warehouse littered with the aftermaths of a rave, while the second part recalls Michael Ranta’s meditative but driving gong rhythms, and the third reminds of Anne Tardos’ recordings of a fridge defrosting, or even Fridge Trax, with a fourth part drawing in a thick haar of Deathprod-like drone dread.