Oneohtrix Point Never / Rene Hell
Music For Reliquary House / In 1980 I Was A Blue Square
Oneohtrix Point Never / Rene Hell
Music For Reliquary House / In 1980 I Was A Blue Square
Boomkat Product Review:
It seems like fate that these two titans of the new electronic music revolution should join hands on a split release, and leave it to NNA Tapes to make that happen. Often mentioned in the same sentence, Dan Lopatin and Jeff Witscher have long had a thread linking their sounds, and while they may have both wandered from the synth music template a while ago, their styles complement each other better than ever here. Lopatin’s side finds the artist in a defiant mode, pulling acerbic chattering voices from public service announcements and commercials and pitting them against sharp blows of white noise and digital interference. This collision of elements occasionally allows itself to morph into rhythms, but avoids all but rare interruptions of the ‘prettiness’ often associated with Lopatin, often by his detractors. For an artist so often associated with the noise scene, it’s a treat to hear him flexing his noise muscles and really having fun with his subject matter. Witscher also manages to offer up an uncharacteristically noise-drenched side, but utilizes the grit as a counterpoint to some of the most beautiful piano pieces he’s ever set to wax. A continuation of the near-classical shakes exhibited on 2011’s ‘The Terminal Symphony’, delicate strings and shimmering synthesizers are allowed to hustle and flow in-between the sort of stutter we’d expect to hear from classic Mego releases (think Farmers Manual and you’ll be on the right track). This is challenging and uniquely rewarding work from both artists and a rare split release that actually serves to work from beginning to end with continuity and structure.
View more
Boomkat Product Review:
It seems like fate that these two titans of the new electronic music revolution should join hands on a split release, and leave it to NNA Tapes to make that happen. Often mentioned in the same sentence, Dan Lopatin and Jeff Witscher have long had a thread linking their sounds, and while they may have both wandered from the synth music template a while ago, their styles complement each other better than ever here. Lopatin’s side finds the artist in a defiant mode, pulling acerbic chattering voices from public service announcements and commercials and pitting them against sharp blows of white noise and digital interference. This collision of elements occasionally allows itself to morph into rhythms, but avoids all but rare interruptions of the ‘prettiness’ often associated with Lopatin, often by his detractors. For an artist so often associated with the noise scene, it’s a treat to hear him flexing his noise muscles and really having fun with his subject matter. Witscher also manages to offer up an uncharacteristically noise-drenched side, but utilizes the grit as a counterpoint to some of the most beautiful piano pieces he’s ever set to wax. A continuation of the near-classical shakes exhibited on 2011’s ‘The Terminal Symphony’, delicate strings and shimmering synthesizers are allowed to hustle and flow in-between the sort of stutter we’d expect to hear from classic Mego releases (think Farmers Manual and you’ll be on the right track). This is challenging and uniquely rewarding work from both artists and a rare split release that actually serves to work from beginning to end with continuity and structure.
Boomkat Product Review:
It seems like fate that these two titans of the new electronic music revolution should join hands on a split release, and leave it to NNA Tapes to make that happen. Often mentioned in the same sentence, Dan Lopatin and Jeff Witscher have long had a thread linking their sounds, and while they may have both wandered from the synth music template a while ago, their styles complement each other better than ever here. Lopatin’s side finds the artist in a defiant mode, pulling acerbic chattering voices from public service announcements and commercials and pitting them against sharp blows of white noise and digital interference. This collision of elements occasionally allows itself to morph into rhythms, but avoids all but rare interruptions of the ‘prettiness’ often associated with Lopatin, often by his detractors. For an artist so often associated with the noise scene, it’s a treat to hear him flexing his noise muscles and really having fun with his subject matter. Witscher also manages to offer up an uncharacteristically noise-drenched side, but utilizes the grit as a counterpoint to some of the most beautiful piano pieces he’s ever set to wax. A continuation of the near-classical shakes exhibited on 2011’s ‘The Terminal Symphony’, delicate strings and shimmering synthesizers are allowed to hustle and flow in-between the sort of stutter we’d expect to hear from classic Mego releases (think Farmers Manual and you’ll be on the right track). This is challenging and uniquely rewarding work from both artists and a rare split release that actually serves to work from beginning to end with continuity and structure.
Boomkat Product Review:
It seems like fate that these two titans of the new electronic music revolution should join hands on a split release, and leave it to NNA Tapes to make that happen. Often mentioned in the same sentence, Dan Lopatin and Jeff Witscher have long had a thread linking their sounds, and while they may have both wandered from the synth music template a while ago, their styles complement each other better than ever here. Lopatin’s side finds the artist in a defiant mode, pulling acerbic chattering voices from public service announcements and commercials and pitting them against sharp blows of white noise and digital interference. This collision of elements occasionally allows itself to morph into rhythms, but avoids all but rare interruptions of the ‘prettiness’ often associated with Lopatin, often by his detractors. For an artist so often associated with the noise scene, it’s a treat to hear him flexing his noise muscles and really having fun with his subject matter. Witscher also manages to offer up an uncharacteristically noise-drenched side, but utilizes the grit as a counterpoint to some of the most beautiful piano pieces he’s ever set to wax. A continuation of the near-classical shakes exhibited on 2011’s ‘The Terminal Symphony’, delicate strings and shimmering synthesizers are allowed to hustle and flow in-between the sort of stutter we’d expect to hear from classic Mego releases (think Farmers Manual and you’ll be on the right track). This is challenging and uniquely rewarding work from both artists and a rare split release that actually serves to work from beginning to end with continuity and structure.
Vinyl Repress.
Out of Stock
Boomkat Product Review:
It seems like fate that these two titans of the new electronic music revolution should join hands on a split release, and leave it to NNA Tapes to make that happen. Often mentioned in the same sentence, Dan Lopatin and Jeff Witscher have long had a thread linking their sounds, and while they may have both wandered from the synth music template a while ago, their styles complement each other better than ever here. Lopatin’s side finds the artist in a defiant mode, pulling acerbic chattering voices from public service announcements and commercials and pitting them against sharp blows of white noise and digital interference. This collision of elements occasionally allows itself to morph into rhythms, but avoids all but rare interruptions of the ‘prettiness’ often associated with Lopatin, often by his detractors. For an artist so often associated with the noise scene, it’s a treat to hear him flexing his noise muscles and really having fun with his subject matter. Witscher also manages to offer up an uncharacteristically noise-drenched side, but utilizes the grit as a counterpoint to some of the most beautiful piano pieces he’s ever set to wax. A continuation of the near-classical shakes exhibited on 2011’s ‘The Terminal Symphony’, delicate strings and shimmering synthesizers are allowed to hustle and flow in-between the sort of stutter we’d expect to hear from classic Mego releases (think Farmers Manual and you’ll be on the right track). This is challenging and uniquely rewarding work from both artists and a rare split release that actually serves to work from beginning to end with continuity and structure.
More from NNA Tapes:
-
FREE MP3 WITH VINYLThe Cradle Bag Of Holding NNA Tapes Indie / Alternative- MP3
- FLAC
- WAV
- LP
-
FREE MP3 WITH VINYLLea Bertucci Metal Aether NNA Tapes Electronic
- MP3
- FLAC
- WAV
-
FREE MP3 WITH VINYLRyan Power They Sell Doomsday NNA Tapes Industrial / Wave / Electro
- MP3
- FLAC
- WAV
- 2LP
-
Tigue Strange Paradise NNA Tapes Electronic
- LP
-
FREE MP3 WITH VINYLTsembla The Hole in the Landscape NNA Tapes Electronic
- MP3
- FLAC
- WAV
People who bought this also bought:
-
FREE MP3 WITH VINYLANDY STOTT Faith In Strangers Modern Love Electronic
- MP3
- FLAC
- CD
-
FREE MP3 WITH VINYLLee Gamble Diversions 1994-1996 PAN Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLRene Hell Vanilla Call Option PAN Electronic
- MP3
- FLAC
- LP
-
FREE MP3 WITH VINYLDemdike Stare Testpressing#001: Collision / Misappropriation Modern Love Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLDemdike Stare Testpressing#002: Grows Without Bound / Primitive Equations Modern Love Electronic
- MP3
- FLAC
-
rashad becker Traditional Music of Notional Species Vol. I PAN Electronic
- MP3
- FLAC
- LP
-
Powell Untitled (Rave002) The Death Of Rave Electronic
- MP3
- FLAC
-
FREE MP3 WITH VINYLLee Gamble Dutch Tvashar Plumes PAN Electronic
- MP3
- FLAC
-
Burial Truant / Rough Sleeper Hyperdub Electronic
- MP3
- FLAC
- WAV
- 12"
-
FREE MP3 WITH VINYLEmptyset Collapsed raster-noton Electronic
- MP3
- FLAC