Shamos
Music For Broken Adverts
Boomkat Product Review:
Shamos takes his debut album bow on Youth with a classy set of furtive synths and sneaky drum machine swagger steering away from the ‘floor to your headphones and late night city streets
‘Music For Broken Adverts’ is biased toward the moodier ends of Shamos’ styles for Apron and two self-released tapes on Role Model, taking stronger cues from ‘80s/‘90s cinema and anime soundtracks, offbeat wave and ambient techno, to finesse a fine line of dark cyberpunk moods and grooves.
Dance trax are there if you need them in the staccato electro-breaks of ‘Baby Birds Flying to Satan’, and the scudding lowkey zinger ‘Try Taking To Water’, but they’re best taken as cogs in the machine or scenes in a broader narrative, from the gorgeous middle-distance gaze of ‘Advert 1’, to Caroline K-esque stately procession of ‘FFF’, and like Legowelt meets Pametex in the deep electro creme of ‘Rihiyil’, replete with ace credits sequence ‘Rethink That Conclusion’.
Aces.
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Boomkat Product Review:
Shamos takes his debut album bow on Youth with a classy set of furtive synths and sneaky drum machine swagger steering away from the ‘floor to your headphones and late night city streets
‘Music For Broken Adverts’ is biased toward the moodier ends of Shamos’ styles for Apron and two self-released tapes on Role Model, taking stronger cues from ‘80s/‘90s cinema and anime soundtracks, offbeat wave and ambient techno, to finesse a fine line of dark cyberpunk moods and grooves.
Dance trax are there if you need them in the staccato electro-breaks of ‘Baby Birds Flying to Satan’, and the scudding lowkey zinger ‘Try Taking To Water’, but they’re best taken as cogs in the machine or scenes in a broader narrative, from the gorgeous middle-distance gaze of ‘Advert 1’, to Caroline K-esque stately procession of ‘FFF’, and like Legowelt meets Pametex in the deep electro creme of ‘Rihiyil’, replete with ace credits sequence ‘Rethink That Conclusion’.
Aces.
Boomkat Product Review:
Shamos takes his debut album bow on Youth with a classy set of furtive synths and sneaky drum machine swagger steering away from the ‘floor to your headphones and late night city streets
‘Music For Broken Adverts’ is biased toward the moodier ends of Shamos’ styles for Apron and two self-released tapes on Role Model, taking stronger cues from ‘80s/‘90s cinema and anime soundtracks, offbeat wave and ambient techno, to finesse a fine line of dark cyberpunk moods and grooves.
Dance trax are there if you need them in the staccato electro-breaks of ‘Baby Birds Flying to Satan’, and the scudding lowkey zinger ‘Try Taking To Water’, but they’re best taken as cogs in the machine or scenes in a broader narrative, from the gorgeous middle-distance gaze of ‘Advert 1’, to Caroline K-esque stately procession of ‘FFF’, and like Legowelt meets Pametex in the deep electro creme of ‘Rihiyil’, replete with ace credits sequence ‘Rethink That Conclusion’.
Aces.
Boomkat Product Review:
Shamos takes his debut album bow on Youth with a classy set of furtive synths and sneaky drum machine swagger steering away from the ‘floor to your headphones and late night city streets
‘Music For Broken Adverts’ is biased toward the moodier ends of Shamos’ styles for Apron and two self-released tapes on Role Model, taking stronger cues from ‘80s/‘90s cinema and anime soundtracks, offbeat wave and ambient techno, to finesse a fine line of dark cyberpunk moods and grooves.
Dance trax are there if you need them in the staccato electro-breaks of ‘Baby Birds Flying to Satan’, and the scudding lowkey zinger ‘Try Taking To Water’, but they’re best taken as cogs in the machine or scenes in a broader narrative, from the gorgeous middle-distance gaze of ‘Advert 1’, to Caroline K-esque stately procession of ‘FFF’, and like Legowelt meets Pametex in the deep electro creme of ‘Rihiyil’, replete with ace credits sequence ‘Rethink That Conclusion’.
Aces.
Back in stock.
Out of Stock
Boomkat Product Review:
Shamos takes his debut album bow on Youth with a classy set of furtive synths and sneaky drum machine swagger steering away from the ‘floor to your headphones and late night city streets
‘Music For Broken Adverts’ is biased toward the moodier ends of Shamos’ styles for Apron and two self-released tapes on Role Model, taking stronger cues from ‘80s/‘90s cinema and anime soundtracks, offbeat wave and ambient techno, to finesse a fine line of dark cyberpunk moods and grooves.
Dance trax are there if you need them in the staccato electro-breaks of ‘Baby Birds Flying to Satan’, and the scudding lowkey zinger ‘Try Taking To Water’, but they’re best taken as cogs in the machine or scenes in a broader narrative, from the gorgeous middle-distance gaze of ‘Advert 1’, to Caroline K-esque stately procession of ‘FFF’, and like Legowelt meets Pametex in the deep electro creme of ‘Rihiyil’, replete with ace credits sequence ‘Rethink That Conclusion’.
Aces.
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