Gonzo sound art spanners by persistent UK avant-gardist Adam Bohman, typically dipping into his tranche of observational ’80s “talking tapes”, but also sporting works dating to the ‘90s and ‘00s - RIYL Graham Lambkin, Mark Harwood, William S. Burroughs, Uri Katzenstein, V/Vm, Cosmic Dennis Greenidge, Trevor Wishart
A virtuoso example of locating poetry in the prosaic, ‘Music And Words 3’, like the preceding volumes, revolves armfuls of domestic DIY dictaphone recordings rubbing shoulders with janky songcraft, and butting against improvised instrumentals made on his custom-built sound objets. Each of the 24 works captures a curious energy or ephemeral line of thought in-the-moment, ranging from almost voyeuristic voice notes to droll descriptions of everyday ludicrousness and surreality, and hopping between hacked pause-button collages of found media(TV and charity shop/bargain bin vinyl) and documentarian jams of dadaist daftness extracted from life lived in England’s south east.
Not po-faced, there’s a palpable sense of a quintessentially english eccentric at work here, abundant between his feedback experiments with hearing aids or literal evocations of ‘Melancholic Alcoholic’, thru to lyrics about “Steve Davis sucking out your cum / you can have Fatima Whitbread sucking on your feet” like some errant V/Vm novelty session on the genuinely effed up and hilarious ‘Foster’s Champions’, or multiple parts describing days out, sights seen, in Brighton or Clacton-on-Sea. Aye, it’s properly wigged out, but in an understated, odd but charming bloke-next-door, rather than woah hark at me, style.
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Released in an edition of 500 in a 6 panel card wallet with a 4 page insert.
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Gonzo sound art spanners by persistent UK avant-gardist Adam Bohman, typically dipping into his tranche of observational ’80s “talking tapes”, but also sporting works dating to the ‘90s and ‘00s - RIYL Graham Lambkin, Mark Harwood, William S. Burroughs, Uri Katzenstein, V/Vm, Cosmic Dennis Greenidge, Trevor Wishart
A virtuoso example of locating poetry in the prosaic, ‘Music And Words 3’, like the preceding volumes, revolves armfuls of domestic DIY dictaphone recordings rubbing shoulders with janky songcraft, and butting against improvised instrumentals made on his custom-built sound objets. Each of the 24 works captures a curious energy or ephemeral line of thought in-the-moment, ranging from almost voyeuristic voice notes to droll descriptions of everyday ludicrousness and surreality, and hopping between hacked pause-button collages of found media(TV and charity shop/bargain bin vinyl) and documentarian jams of dadaist daftness extracted from life lived in England’s south east.
Not po-faced, there’s a palpable sense of a quintessentially english eccentric at work here, abundant between his feedback experiments with hearing aids or literal evocations of ‘Melancholic Alcoholic’, thru to lyrics about “Steve Davis sucking out your cum / you can have Fatima Whitbread sucking on your feet” like some errant V/Vm novelty session on the genuinely effed up and hilarious ‘Foster’s Champions’, or multiple parts describing days out, sights seen, in Brighton or Clacton-on-Sea. Aye, it’s properly wigged out, but in an understated, odd but charming bloke-next-door, rather than woah hark at me, style.