Buoyant breakbeat electro-techno rollers with brisk and choppy sidespins by Andrés Zacco & Sebastian Galante’s Argentine duo, Oscean
‘Multirays’ plays to a hydrodynamic style of club pressure as identified on Oscean’s 2020 debut EP ‘Ideoma.’ Sizzling latinate syncopation is deftly swept into the gnashing waves and calm pads of ‘Multidimensional’, and ‘Invisible Rays’ anchors itself in bolshier bass turbulence and surging undersea noise a la Mike Parker or Porter Ricks, developing into proggier bleep melodies that keep its head above the water. ‘Drivion’ is the EP’s most distinctly electro cut, all briny 808 tang and needling arps breaking down into Ecco the Dolphin gamer whorls, with ‘Horizonsz’ diffracting the pace into more pendulous motion and sonorous pads recalling B12 and ‘90s AI.
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Buoyant breakbeat electro-techno rollers with brisk and choppy sidespins by Andrés Zacco & Sebastian Galante’s Argentine duo, Oscean
‘Multirays’ plays to a hydrodynamic style of club pressure as identified on Oscean’s 2020 debut EP ‘Ideoma.’ Sizzling latinate syncopation is deftly swept into the gnashing waves and calm pads of ‘Multidimensional’, and ‘Invisible Rays’ anchors itself in bolshier bass turbulence and surging undersea noise a la Mike Parker or Porter Ricks, developing into proggier bleep melodies that keep its head above the water. ‘Drivion’ is the EP’s most distinctly electro cut, all briny 808 tang and needling arps breaking down into Ecco the Dolphin gamer whorls, with ‘Horizonsz’ diffracting the pace into more pendulous motion and sonorous pads recalling B12 and ‘90s AI.
Buoyant breakbeat electro-techno rollers with brisk and choppy sidespins by Andrés Zacco & Sebastian Galante’s Argentine duo, Oscean
‘Multirays’ plays to a hydrodynamic style of club pressure as identified on Oscean’s 2020 debut EP ‘Ideoma.’ Sizzling latinate syncopation is deftly swept into the gnashing waves and calm pads of ‘Multidimensional’, and ‘Invisible Rays’ anchors itself in bolshier bass turbulence and surging undersea noise a la Mike Parker or Porter Ricks, developing into proggier bleep melodies that keep its head above the water. ‘Drivion’ is the EP’s most distinctly electro cut, all briny 808 tang and needling arps breaking down into Ecco the Dolphin gamer whorls, with ‘Horizonsz’ diffracting the pace into more pendulous motion and sonorous pads recalling B12 and ‘90s AI.
Buoyant breakbeat electro-techno rollers with brisk and choppy sidespins by Andrés Zacco & Sebastian Galante’s Argentine duo, Oscean
‘Multirays’ plays to a hydrodynamic style of club pressure as identified on Oscean’s 2020 debut EP ‘Ideoma.’ Sizzling latinate syncopation is deftly swept into the gnashing waves and calm pads of ‘Multidimensional’, and ‘Invisible Rays’ anchors itself in bolshier bass turbulence and surging undersea noise a la Mike Parker or Porter Ricks, developing into proggier bleep melodies that keep its head above the water. ‘Drivion’ is the EP’s most distinctly electro cut, all briny 808 tang and needling arps breaking down into Ecco the Dolphin gamer whorls, with ‘Horizonsz’ diffracting the pace into more pendulous motion and sonorous pads recalling B12 and ‘90s AI.
180g vinyl with full printed sleeve.
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Buoyant breakbeat electro-techno rollers with brisk and choppy sidespins by Andrés Zacco & Sebastian Galante’s Argentine duo, Oscean
‘Multirays’ plays to a hydrodynamic style of club pressure as identified on Oscean’s 2020 debut EP ‘Ideoma.’ Sizzling latinate syncopation is deftly swept into the gnashing waves and calm pads of ‘Multidimensional’, and ‘Invisible Rays’ anchors itself in bolshier bass turbulence and surging undersea noise a la Mike Parker or Porter Ricks, developing into proggier bleep melodies that keep its head above the water. ‘Drivion’ is the EP’s most distinctly electro cut, all briny 808 tang and needling arps breaking down into Ecco the Dolphin gamer whorls, with ‘Horizonsz’ diffracting the pace into more pendulous motion and sonorous pads recalling B12 and ‘90s AI.