Boomkat Product Review:
Shelter Press collect all three volumes of the compelling Movement Building works for dance by Gabriel Saloman (Yellow Swans) in a handy double CD set, providing a first opportunity to listen and immerse yourself in the noise deity’s most refined and touching body of work since going solo after Yellow Swans’ demise.
Starting in 2014 with the follow-up to his split side with Peter Broderick and the agitated themes of Riots Don't Just Happen and Soldier's Requiem, the two parts of The Disciplined Body make up Volume I with a desolate drone tract of keening strings under fire from militant "poly-vocal drumming" before seceding to shimmering guitar chords and a blistering post-rock crescendo almost worthy of Godspeed or MBV over its 37 minute duration.
Volume II meanwhile factors inspiration from the novel Snow Country by Yasunari Kawabata - a tragic Japanese love tale - with nods to the structures of Gagaku, or classical imperial court music, and the emerging field of ASMR, in a methodical combination of burning psych guitars and visceral noise tones punctuated by taiko drumming, plus a cover of Miles Davis’ My Funny Valentine, all written for the choreography of experimental theatre company Theatre Replacement and the dance creators 605 Collective.
Movement Building Vol. III simultaneously wraps up and expands the project to its logical endpoint thru a steadily tempered and stealthy narrative inspired by the choreography of Vanessa Goodman, matching the themes of her What Belongs To You  piece - namely shelter, love, self-actualization, as per Abraham Maslow’s “hierarchy of needs” - with a stoically emotive cadence reflected in Salomon’s dread filled drums and his slow burning, apocalypse-dawn shoegaze panoramas. The effect could be said to resonate as much with those ancient concerns as the paranoia induced by corporate driven, social media enabled surveillance state - but the resolution is ambiguous; do we look to a sore past for hope, or fear the future as time marches forward?