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Boomkat Product Review:
Next in the upswell of posthumous, Coil-related reissues, their sought-after Electric Sewer Age collab with John Deek of Divine Frequency is placed under the spotlight, serving something of a cryptic epitaph to the loss of Peter ’Sleazy’ Christophersen, whose untimely death in 2010 followed not long after the project was revealed to the world at large under the tagline, “an infinity of Sewers thrown open beneath the Threshold House.”
As far as we know, Moon’s Milk In Final Phase features some of the final work written by Sleazy prior to his passing. It was executed with trusted band-member and engineer Danny Hyde and quite possibly includes the presence of Jhonn Balance somewhere in its keening, off-kilter matrix of ambient, modern classical and avant-garde electronics.
In four quarter turns relating to lunar phases, Moon’s Milk traverses from curdled chorales and pointillistic tangles of strings and gamelan reminding of The Threshold HouseBoys Choir in Moon’s Milk (Waxing), to the queasier cadence of elliptical strings and synths in Moon’s Milk (Waning) recalling moments from the ElpH project, whereas Moon’s Milk (Eternal) follows with a more sprightly display of pizzicato notes and frothing bleeps buoyed by almost lyrical flutes into the creemy echo chamber of Moon’s Milk (Dark Passing), where its possible to locate some of Coil’s most indelible late period sensations.
Fiends, do your thing.