Boomkat Product Review:
Scott Morgan’s Loscil hovers back into view with a decidedly moody album of his patented dub and ambient productions for Kranky some two years since Sea Island.
Monument Builders is a nerve-riddled and unpredictable thing and perhaps not exactly what you’d expect from him. Where once there was a sense of blue optimism to his music, there is now a brooding pensiveness manifest in its minor key arrangements and bruised, textured tone.
The album perhaps betrays a return influence from his day job as a sound director for the video game industry, as Monument Builders could soundtrack a bleak first person immersion in some dark parallel world not too dissimilar to our own, patiently plotting a course thru the resonant, widescreen space and cracked ice patterns of Drained Lake to ascend a vertiginous vortex of throbbing synths - among the most kinetic piece in his whole catalogue - in the anxiously melancholy Red Tide, pausing for murky reflection in the title track, and raising the tension again with the frosty brassy swells of Straw Dogs and coolly baffling the senses with the headlong techno velocity and strangely static poise of Anthropocene, leaving with us the OOBE, swarmed by deliquescent, dying angels in Weeds.
You don’t usually expect an artist’s most powerful piece of work to arrive fifteen years into their game, but that what Loscil has arguably achieved with his 10th solo album.