Boomkat Product Review:
Prepare to be floored again by the great Lonnie Holley, back with his 3rd album - his 1st in five years - serving a unique perspective on contemporary America as the result of some 68 years living at its fringes; from a whisky house, to numerous foster homes, and later as an eminent outsider artist.
It’s hard to forget a first encounter with Holley’s singular style - ‘Just Before Music’ back in 2012 stuck out like one of his massive “thumbs up for Mother Earth” from everything around it, and to be fair it still does. While we weren’t so immediately enamoured with its follow-up, ‘Keeping A Record of It’, there’s no denying that his 3rd LP ‘MITH’ is a stunning and welcome return, delivering a necessary dose of emotional punishment that’s bound to resonate just as strongly, if not more than his debut.
More layered and diaphanous than either of Holley’s first two records, ‘MITH’ is an astonishing development of Holley’s soul-hocking sound, effectively blossoming from his bluesy seeds into staggering psychedelic blooms almost comparable to the difference between original blues and the freedoms of spiritual jazz, with Holley’s utterly inimitable voice bridging the difference, along with extra musical contributions from fellow travellers such as new age maestro Laraaji, jazz duo Nelson Patton, and production by Pakistani/American artist Shahzad Ismaily.
We’ll keep it simple: this record hurts in the most powerful, extraordinary way. Unmissable.