Boomkat Product Review:
A wistful, fractal collection of introspective songs built from fragments of other people’s voices, sounds, and music by French/Canadian artist Jean Cousin aka Joni Void
“Mise En Abyme is the second full-length by Joni Void, the avant-electronica project of France/Canada producer Jean Cousin, following his acutely accomplished and acclaimed 2017 debut album Selfless. (#8 Experimental Album of 2017 at Pitchfork, among other accolades.)
Grappling with a cascade of heartbreaks and discontinuities over the past year, Cousin calls the new album a “time-travel experiment”, as he culls sounds from devices and sources spanning childhood to the present (phones, cameras, video games, home movies) to retrieve and reframe subjective memories, histories and “regressions through former selves” through immersion in the evocative potential of the mostly wordless voices of others. The resulting sonic portraits simultaneously convey formally abstract dislocations and highly emotive warmth, interiority, humanity and specificity.
Side A especially highlights these works – the “with people” half of the album, replete with contemplative, melancholic songs, each featuring a deconstructed performance by a different female voice, propelled to varying degrees with additive rhythmic and textural layers. Side B is the “isolation” half: vocal samples continue to make appearances, including Cousin’s own voice on the vertiginous “Voix Sans Issue” and his own lyrics on the computer-narrated text-to-speech spoken word of the confessional “Deep Impression” – but the contrasting vibe is more claustrophobic, anxious and febrile.
Mise En Abyme ends with a throwback to Cousin’s pre-Joni Void keyboard-based works as johnny_ripper on the gorgeous Rhodes piece “Persistence”, while the closing exuberant maximalist jam of “Resolve” fittingly samples every previous song and locks the album into a self-referential recursive sequence.”