Cult Parisian club duo Full Circle navigate full flight trance and its half-time dub analog with the first mission on their self-manned label after a decade of action with Good Morning Tapes and Crowdspacer
Alexis Le Tan & Joakim’s Full Circle have reliably explored mutant integers of early ‘90s new age dance music since 2014’s ‘Back to Disco Valley Vol #1’. Nearly ten years later they mint the Full Circle label with a 12” representative of their sound’s wingspan. On one wing they fully stretch out on a propulsive type of proto-Goa trance, setting the scene with cold industrial sound design a la FSOL before locking into a swanging, breakbeat-trained trance glyde that opens out with room-scanning arps, choral peaks and yoghurt-weaving acid for peak times.
On the other wing, ‘Brainless Dub’ finds similar elements reduced to a skanking half-time lope with synths smeared into a sort of awning acidic raga, buoyed by shivering choral pads and diffused, spangled with spring reverb for the imaginary back room back-rub and gouch out crew.
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Cult Parisian club duo Full Circle navigate full flight trance and its half-time dub analog with the first mission on their self-manned label after a decade of action with Good Morning Tapes and Crowdspacer
Alexis Le Tan & Joakim’s Full Circle have reliably explored mutant integers of early ‘90s new age dance music since 2014’s ‘Back to Disco Valley Vol #1’. Nearly ten years later they mint the Full Circle label with a 12” representative of their sound’s wingspan. On one wing they fully stretch out on a propulsive type of proto-Goa trance, setting the scene with cold industrial sound design a la FSOL before locking into a swanging, breakbeat-trained trance glyde that opens out with room-scanning arps, choral peaks and yoghurt-weaving acid for peak times.
On the other wing, ‘Brainless Dub’ finds similar elements reduced to a skanking half-time lope with synths smeared into a sort of awning acidic raga, buoyed by shivering choral pads and diffused, spangled with spring reverb for the imaginary back room back-rub and gouch out crew.
Cult Parisian club duo Full Circle navigate full flight trance and its half-time dub analog with the first mission on their self-manned label after a decade of action with Good Morning Tapes and Crowdspacer
Alexis Le Tan & Joakim’s Full Circle have reliably explored mutant integers of early ‘90s new age dance music since 2014’s ‘Back to Disco Valley Vol #1’. Nearly ten years later they mint the Full Circle label with a 12” representative of their sound’s wingspan. On one wing they fully stretch out on a propulsive type of proto-Goa trance, setting the scene with cold industrial sound design a la FSOL before locking into a swanging, breakbeat-trained trance glyde that opens out with room-scanning arps, choral peaks and yoghurt-weaving acid for peak times.
On the other wing, ‘Brainless Dub’ finds similar elements reduced to a skanking half-time lope with synths smeared into a sort of awning acidic raga, buoyed by shivering choral pads and diffused, spangled with spring reverb for the imaginary back room back-rub and gouch out crew.
Cult Parisian club duo Full Circle navigate full flight trance and its half-time dub analog with the first mission on their self-manned label after a decade of action with Good Morning Tapes and Crowdspacer
Alexis Le Tan & Joakim’s Full Circle have reliably explored mutant integers of early ‘90s new age dance music since 2014’s ‘Back to Disco Valley Vol #1’. Nearly ten years later they mint the Full Circle label with a 12” representative of their sound’s wingspan. On one wing they fully stretch out on a propulsive type of proto-Goa trance, setting the scene with cold industrial sound design a la FSOL before locking into a swanging, breakbeat-trained trance glyde that opens out with room-scanning arps, choral peaks and yoghurt-weaving acid for peak times.
On the other wing, ‘Brainless Dub’ finds similar elements reduced to a skanking half-time lope with synths smeared into a sort of awning acidic raga, buoyed by shivering choral pads and diffused, spangled with spring reverb for the imaginary back room back-rub and gouch out crew.
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Cult Parisian club duo Full Circle navigate full flight trance and its half-time dub analog with the first mission on their self-manned label after a decade of action with Good Morning Tapes and Crowdspacer
Alexis Le Tan & Joakim’s Full Circle have reliably explored mutant integers of early ‘90s new age dance music since 2014’s ‘Back to Disco Valley Vol #1’. Nearly ten years later they mint the Full Circle label with a 12” representative of their sound’s wingspan. On one wing they fully stretch out on a propulsive type of proto-Goa trance, setting the scene with cold industrial sound design a la FSOL before locking into a swanging, breakbeat-trained trance glyde that opens out with room-scanning arps, choral peaks and yoghurt-weaving acid for peak times.
On the other wing, ‘Brainless Dub’ finds similar elements reduced to a skanking half-time lope with synths smeared into a sort of awning acidic raga, buoyed by shivering choral pads and diffused, spangled with spring reverb for the imaginary back room back-rub and gouch out crew.