Mind over Positive and Negative Dimensional Matter
Drexciya’s classic 2001 submersible as Transllusion includes three robust Detroit electro killers packing woofer-troubling subbass depth charges
Officially a solo project of James Stinson, Transllusion was born on Tresor’s Supremat sublabel in 2001 with this 12”, which features at least two exclusive cuts, plus a version that was included on the CD edition of its corresponding album, ‘The Opening of the Cerebral Gateway’. Back in circulation for 2023, the EP has lost none of its capacity to thrill with its distinctly subaquatic sound design and viscous momentum working as prime DJ tools in the correct hands/fins.
Exclusive to the session, ‘Power of the 3rd Brain’ channels the skudgiest bass squelch and ohrwurming bleep hooks into a forceful piece of electro-techno hydraulics, and one of our all-time favourite Drexciya missiles ‘Disrupted Neural Gateway’ deploys the deadliest, surging subs harnessed in an 808 shark-cage that’s surely well known to the deepest Motor City disciples. The Ep also shares one piece, ‘Do You Want to Get Down’ with the album (where it’s also found in a ‘Vocal De Void’ version), depicting his Drexciyan hydrodynamics and post-Kraftwerk vocoders at their most elusive, inimitable, sensuous.
Essential.
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Drexciya’s classic 2001 submersible as Transllusion includes three robust Detroit electro killers packing woofer-troubling subbass depth charges
Officially a solo project of James Stinson, Transllusion was born on Tresor’s Supremat sublabel in 2001 with this 12”, which features at least two exclusive cuts, plus a version that was included on the CD edition of its corresponding album, ‘The Opening of the Cerebral Gateway’. Back in circulation for 2023, the EP has lost none of its capacity to thrill with its distinctly subaquatic sound design and viscous momentum working as prime DJ tools in the correct hands/fins.
Exclusive to the session, ‘Power of the 3rd Brain’ channels the skudgiest bass squelch and ohrwurming bleep hooks into a forceful piece of electro-techno hydraulics, and one of our all-time favourite Drexciya missiles ‘Disrupted Neural Gateway’ deploys the deadliest, surging subs harnessed in an 808 shark-cage that’s surely well known to the deepest Motor City disciples. The Ep also shares one piece, ‘Do You Want to Get Down’ with the album (where it’s also found in a ‘Vocal De Void’ version), depicting his Drexciyan hydrodynamics and post-Kraftwerk vocoders at their most elusive, inimitable, sensuous.
Essential.
Drexciya’s classic 2001 submersible as Transllusion includes three robust Detroit electro killers packing woofer-troubling subbass depth charges
Officially a solo project of James Stinson, Transllusion was born on Tresor’s Supremat sublabel in 2001 with this 12”, which features at least two exclusive cuts, plus a version that was included on the CD edition of its corresponding album, ‘The Opening of the Cerebral Gateway’. Back in circulation for 2023, the EP has lost none of its capacity to thrill with its distinctly subaquatic sound design and viscous momentum working as prime DJ tools in the correct hands/fins.
Exclusive to the session, ‘Power of the 3rd Brain’ channels the skudgiest bass squelch and ohrwurming bleep hooks into a forceful piece of electro-techno hydraulics, and one of our all-time favourite Drexciya missiles ‘Disrupted Neural Gateway’ deploys the deadliest, surging subs harnessed in an 808 shark-cage that’s surely well known to the deepest Motor City disciples. The Ep also shares one piece, ‘Do You Want to Get Down’ with the album (where it’s also found in a ‘Vocal De Void’ version), depicting his Drexciyan hydrodynamics and post-Kraftwerk vocoders at their most elusive, inimitable, sensuous.
Essential.
Drexciya’s classic 2001 submersible as Transllusion includes three robust Detroit electro killers packing woofer-troubling subbass depth charges
Officially a solo project of James Stinson, Transllusion was born on Tresor’s Supremat sublabel in 2001 with this 12”, which features at least two exclusive cuts, plus a version that was included on the CD edition of its corresponding album, ‘The Opening of the Cerebral Gateway’. Back in circulation for 2023, the EP has lost none of its capacity to thrill with its distinctly subaquatic sound design and viscous momentum working as prime DJ tools in the correct hands/fins.
Exclusive to the session, ‘Power of the 3rd Brain’ channels the skudgiest bass squelch and ohrwurming bleep hooks into a forceful piece of electro-techno hydraulics, and one of our all-time favourite Drexciya missiles ‘Disrupted Neural Gateway’ deploys the deadliest, surging subs harnessed in an 808 shark-cage that’s surely well known to the deepest Motor City disciples. The Ep also shares one piece, ‘Do You Want to Get Down’ with the album (where it’s also found in a ‘Vocal De Void’ version), depicting his Drexciyan hydrodynamics and post-Kraftwerk vocoders at their most elusive, inimitable, sensuous.
Essential.
2023 Re-issue.
Available To Order (Estimated Shipping between 7-14 Working Days)
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Drexciya’s classic 2001 submersible as Transllusion includes three robust Detroit electro killers packing woofer-troubling subbass depth charges
Officially a solo project of James Stinson, Transllusion was born on Tresor’s Supremat sublabel in 2001 with this 12”, which features at least two exclusive cuts, plus a version that was included on the CD edition of its corresponding album, ‘The Opening of the Cerebral Gateway’. Back in circulation for 2023, the EP has lost none of its capacity to thrill with its distinctly subaquatic sound design and viscous momentum working as prime DJ tools in the correct hands/fins.
Exclusive to the session, ‘Power of the 3rd Brain’ channels the skudgiest bass squelch and ohrwurming bleep hooks into a forceful piece of electro-techno hydraulics, and one of our all-time favourite Drexciya missiles ‘Disrupted Neural Gateway’ deploys the deadliest, surging subs harnessed in an 808 shark-cage that’s surely well known to the deepest Motor City disciples. The Ep also shares one piece, ‘Do You Want to Get Down’ with the album (where it’s also found in a ‘Vocal De Void’ version), depicting his Drexciyan hydrodynamics and post-Kraftwerk vocoders at their most elusive, inimitable, sensuous.
Essential.