A rejuvenated Diagonal embrace Scott Gordon - collaborator of Mark Clifford (Seefeel) as Oto Hiax - for a tenderly bittersweet showcase of his custom, midi-triggered mechanical instrument in ethereal effect
‘Metals’ hovers in the imagination between aspects of Autechre, Harry Bertoia, and Christos Chondroulous for its sensitive feeling out of timbral shimmer and pitchbent space occurring from struck metals. The eight parts build on a respected catalogue of works over the past 15 years as Loops Haunt, and more recently as Oto Hiax, with sound that naturally leads on from both those projects into more abstract space fleshed out with a elusive yet palpable pathos and subtle rhythmic curiosity.
The first half’s ‘And Away’ section is the gentler portion, distinguished by interplays of softy radiant, acoustic harmonic overtones and computer interference that produces some lovely airborne fanfare in the 2nd part and a sort of heated pastoral quality connoting his native Scottish scapes in the 4th. Its other half of ‘Tilts’ is more gloaming, crepuscular, fizzing with nerve-gnaw anxiety in the 1st and producing screwy metallic tang reminding of Sote on its piquant 2nd, that preps the senses for the trilling rhythmic exploration of the 3rd piece and zipping buzz of the 4th.
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A rejuvenated Diagonal embrace Scott Gordon - collaborator of Mark Clifford (Seefeel) as Oto Hiax - for a tenderly bittersweet showcase of his custom, midi-triggered mechanical instrument in ethereal effect
‘Metals’ hovers in the imagination between aspects of Autechre, Harry Bertoia, and Christos Chondroulous for its sensitive feeling out of timbral shimmer and pitchbent space occurring from struck metals. The eight parts build on a respected catalogue of works over the past 15 years as Loops Haunt, and more recently as Oto Hiax, with sound that naturally leads on from both those projects into more abstract space fleshed out with a elusive yet palpable pathos and subtle rhythmic curiosity.
The first half’s ‘And Away’ section is the gentler portion, distinguished by interplays of softy radiant, acoustic harmonic overtones and computer interference that produces some lovely airborne fanfare in the 2nd part and a sort of heated pastoral quality connoting his native Scottish scapes in the 4th. Its other half of ‘Tilts’ is more gloaming, crepuscular, fizzing with nerve-gnaw anxiety in the 1st and producing screwy metallic tang reminding of Sote on its piquant 2nd, that preps the senses for the trilling rhythmic exploration of the 3rd piece and zipping buzz of the 4th.
A rejuvenated Diagonal embrace Scott Gordon - collaborator of Mark Clifford (Seefeel) as Oto Hiax - for a tenderly bittersweet showcase of his custom, midi-triggered mechanical instrument in ethereal effect
‘Metals’ hovers in the imagination between aspects of Autechre, Harry Bertoia, and Christos Chondroulous for its sensitive feeling out of timbral shimmer and pitchbent space occurring from struck metals. The eight parts build on a respected catalogue of works over the past 15 years as Loops Haunt, and more recently as Oto Hiax, with sound that naturally leads on from both those projects into more abstract space fleshed out with a elusive yet palpable pathos and subtle rhythmic curiosity.
The first half’s ‘And Away’ section is the gentler portion, distinguished by interplays of softy radiant, acoustic harmonic overtones and computer interference that produces some lovely airborne fanfare in the 2nd part and a sort of heated pastoral quality connoting his native Scottish scapes in the 4th. Its other half of ‘Tilts’ is more gloaming, crepuscular, fizzing with nerve-gnaw anxiety in the 1st and producing screwy metallic tang reminding of Sote on its piquant 2nd, that preps the senses for the trilling rhythmic exploration of the 3rd piece and zipping buzz of the 4th.
A rejuvenated Diagonal embrace Scott Gordon - collaborator of Mark Clifford (Seefeel) as Oto Hiax - for a tenderly bittersweet showcase of his custom, midi-triggered mechanical instrument in ethereal effect
‘Metals’ hovers in the imagination between aspects of Autechre, Harry Bertoia, and Christos Chondroulous for its sensitive feeling out of timbral shimmer and pitchbent space occurring from struck metals. The eight parts build on a respected catalogue of works over the past 15 years as Loops Haunt, and more recently as Oto Hiax, with sound that naturally leads on from both those projects into more abstract space fleshed out with a elusive yet palpable pathos and subtle rhythmic curiosity.
The first half’s ‘And Away’ section is the gentler portion, distinguished by interplays of softy radiant, acoustic harmonic overtones and computer interference that produces some lovely airborne fanfare in the 2nd part and a sort of heated pastoral quality connoting his native Scottish scapes in the 4th. Its other half of ‘Tilts’ is more gloaming, crepuscular, fizzing with nerve-gnaw anxiety in the 1st and producing screwy metallic tang reminding of Sote on its piquant 2nd, that preps the senses for the trilling rhythmic exploration of the 3rd piece and zipping buzz of the 4th.
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A rejuvenated Diagonal embrace Scott Gordon - collaborator of Mark Clifford (Seefeel) as Oto Hiax - for a tenderly bittersweet showcase of his custom, midi-triggered mechanical instrument in ethereal effect
‘Metals’ hovers in the imagination between aspects of Autechre, Harry Bertoia, and Christos Chondroulous for its sensitive feeling out of timbral shimmer and pitchbent space occurring from struck metals. The eight parts build on a respected catalogue of works over the past 15 years as Loops Haunt, and more recently as Oto Hiax, with sound that naturally leads on from both those projects into more abstract space fleshed out with a elusive yet palpable pathos and subtle rhythmic curiosity.
The first half’s ‘And Away’ section is the gentler portion, distinguished by interplays of softy radiant, acoustic harmonic overtones and computer interference that produces some lovely airborne fanfare in the 2nd part and a sort of heated pastoral quality connoting his native Scottish scapes in the 4th. Its other half of ‘Tilts’ is more gloaming, crepuscular, fizzing with nerve-gnaw anxiety in the 1st and producing screwy metallic tang reminding of Sote on its piquant 2nd, that preps the senses for the trilling rhythmic exploration of the 3rd piece and zipping buzz of the 4th.