Camila de Laborde of Camila Fuchs strikes out on her own on 'Mercurio', rustling up dark, sci-fi tinged electro-pop that's not a million miles from Fever Ray or Eartheater.
Based in Mexico City, Laborde has been active as an artist for many years, but sees Opuntio as an opportunity to try something different. 'Mercurio' is billed as a creative metamorphosis, and Laborde thrusts her vocals into the spotlight, singing fluidly over nervous synth arpeggios, analog oscillations and slithering beats. It's the beatless tracks that have us in a chokehold though - 'Carry a rock' is particularly effective, swirling her voice around serrated square wave leads and brassy bass, and on 'Hold', she coos sweetly over bubbling electronics, sounding like Eartheater at her most esoteric.
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Camila de Laborde of Camila Fuchs strikes out on her own on 'Mercurio', rustling up dark, sci-fi tinged electro-pop that's not a million miles from Fever Ray or Eartheater.
Based in Mexico City, Laborde has been active as an artist for many years, but sees Opuntio as an opportunity to try something different. 'Mercurio' is billed as a creative metamorphosis, and Laborde thrusts her vocals into the spotlight, singing fluidly over nervous synth arpeggios, analog oscillations and slithering beats. It's the beatless tracks that have us in a chokehold though - 'Carry a rock' is particularly effective, swirling her voice around serrated square wave leads and brassy bass, and on 'Hold', she coos sweetly over bubbling electronics, sounding like Eartheater at her most esoteric.
Camila de Laborde of Camila Fuchs strikes out on her own on 'Mercurio', rustling up dark, sci-fi tinged electro-pop that's not a million miles from Fever Ray or Eartheater.
Based in Mexico City, Laborde has been active as an artist for many years, but sees Opuntio as an opportunity to try something different. 'Mercurio' is billed as a creative metamorphosis, and Laborde thrusts her vocals into the spotlight, singing fluidly over nervous synth arpeggios, analog oscillations and slithering beats. It's the beatless tracks that have us in a chokehold though - 'Carry a rock' is particularly effective, swirling her voice around serrated square wave leads and brassy bass, and on 'Hold', she coos sweetly over bubbling electronics, sounding like Eartheater at her most esoteric.
Camila de Laborde of Camila Fuchs strikes out on her own on 'Mercurio', rustling up dark, sci-fi tinged electro-pop that's not a million miles from Fever Ray or Eartheater.
Based in Mexico City, Laborde has been active as an artist for many years, but sees Opuntio as an opportunity to try something different. 'Mercurio' is billed as a creative metamorphosis, and Laborde thrusts her vocals into the spotlight, singing fluidly over nervous synth arpeggios, analog oscillations and slithering beats. It's the beatless tracks that have us in a chokehold though - 'Carry a rock' is particularly effective, swirling her voice around serrated square wave leads and brassy bass, and on 'Hold', she coos sweetly over bubbling electronics, sounding like Eartheater at her most esoteric.
Pink colour vinyl. Edition of 300 copies.
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Camila de Laborde of Camila Fuchs strikes out on her own on 'Mercurio', rustling up dark, sci-fi tinged electro-pop that's not a million miles from Fever Ray or Eartheater.
Based in Mexico City, Laborde has been active as an artist for many years, but sees Opuntio as an opportunity to try something different. 'Mercurio' is billed as a creative metamorphosis, and Laborde thrusts her vocals into the spotlight, singing fluidly over nervous synth arpeggios, analog oscillations and slithering beats. It's the beatless tracks that have us in a chokehold though - 'Carry a rock' is particularly effective, swirling her voice around serrated square wave leads and brassy bass, and on 'Hold', she coos sweetly over bubbling electronics, sounding like Eartheater at her most esoteric.