Men (Original Motion Picture Soundtrack)
Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.
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Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.
Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.
Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.
Translucent Green coloured vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.
Black vinyl LP.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Crack soundtrack duo Salisbury & Barrow supply haunting choral drones and atmospheric colour to Alex Garland’s psychological thriller feature on horrors lurking in the english countryside.
By our estimation their 9th soundtrack after working together since 2012, the pair’s score to ‘Men’ follows their work with Alex Garland on ‘Ex-Machina’ (2015), and subsequent acclaim for their work on ‘Black Mirror: Men Against Fire’ (2016), and Ben Whateley’s ‘Free Fire’, with a fine grasp of bleakly eldritch english folk horror manifest in haunted church chorales, gloaming synths and an all-together clammy chill.
There are some atmospheric similarities with Mark Jenkin’s recent soundtrack to his own film, ‘Enys Men’ and even the unnerving stasis of ‘Sapphire & Steel’ and ’Children of the Stones’ to our lugs, but that’s maybe more simply defined to non-english people as the sort of strangeness of this blighted part of the isle that makes us look and act fucking weird, like we have faces coming out of our faces.