Memory Night
Creepy, elliptical new solo work from The Necks' Chris Abrahams for Lawrence Engilshs's Room40 imprint. The title 'Memory Night' isn't arbitrarily chosen: this is a record concerned precisely with those two things, memory and nighttime, and it evokes both confidently, but most importantly it does so without recourse to the usual bleak nocturnal cliches. There's a murky heart to this music, make no mistake, but it's also seductive and playful, recognising the liminal zone between sunset and sunrise as a time for excitement and enchantment as much as anxiety. 'Stabilised Ruin' is a highlight for us, a fiendish jigsaw puzzle of Alzheimers-wracked piano, digital processing and rickety spaceship percussion not a million miles away from Three Legged Race's recent Persuasive Barrier LP on Spectrum Spools.
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Creepy, elliptical new solo work from The Necks' Chris Abrahams for Lawrence Engilshs's Room40 imprint. The title 'Memory Night' isn't arbitrarily chosen: this is a record concerned precisely with those two things, memory and nighttime, and it evokes both confidently, but most importantly it does so without recourse to the usual bleak nocturnal cliches. There's a murky heart to this music, make no mistake, but it's also seductive and playful, recognising the liminal zone between sunset and sunrise as a time for excitement and enchantment as much as anxiety. 'Stabilised Ruin' is a highlight for us, a fiendish jigsaw puzzle of Alzheimers-wracked piano, digital processing and rickety spaceship percussion not a million miles away from Three Legged Race's recent Persuasive Barrier LP on Spectrum Spools.
Creepy, elliptical new solo work from The Necks' Chris Abrahams for Lawrence Engilshs's Room40 imprint. The title 'Memory Night' isn't arbitrarily chosen: this is a record concerned precisely with those two things, memory and nighttime, and it evokes both confidently, but most importantly it does so without recourse to the usual bleak nocturnal cliches. There's a murky heart to this music, make no mistake, but it's also seductive and playful, recognising the liminal zone between sunset and sunrise as a time for excitement and enchantment as much as anxiety. 'Stabilised Ruin' is a highlight for us, a fiendish jigsaw puzzle of Alzheimers-wracked piano, digital processing and rickety spaceship percussion not a million miles away from Three Legged Race's recent Persuasive Barrier LP on Spectrum Spools.
Creepy, elliptical new solo work from The Necks' Chris Abrahams for Lawrence Engilshs's Room40 imprint. The title 'Memory Night' isn't arbitrarily chosen: this is a record concerned precisely with those two things, memory and nighttime, and it evokes both confidently, but most importantly it does so without recourse to the usual bleak nocturnal cliches. There's a murky heart to this music, make no mistake, but it's also seductive and playful, recognising the liminal zone between sunset and sunrise as a time for excitement and enchantment as much as anxiety. 'Stabilised Ruin' is a highlight for us, a fiendish jigsaw puzzle of Alzheimers-wracked piano, digital processing and rickety spaceship percussion not a million miles away from Three Legged Race's recent Persuasive Barrier LP on Spectrum Spools.
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Creepy, elliptical new solo work from The Necks' Chris Abrahams for Lawrence Engilshs's Room40 imprint. The title 'Memory Night' isn't arbitrarily chosen: this is a record concerned precisely with those two things, memory and nighttime, and it evokes both confidently, but most importantly it does so without recourse to the usual bleak nocturnal cliches. There's a murky heart to this music, make no mistake, but it's also seductive and playful, recognising the liminal zone between sunset and sunrise as a time for excitement and enchantment as much as anxiety. 'Stabilised Ruin' is a highlight for us, a fiendish jigsaw puzzle of Alzheimers-wracked piano, digital processing and rickety spaceship percussion not a million miles away from Three Legged Race's recent Persuasive Barrier LP on Spectrum Spools.