Effervescent braindance ambient/electro/breaks by Frankfurt’s N9OC, minting her solo debut proper on Die Orakel after a clutch of compilation cuts in recent years
‘Memory Allocator’ initiates the label’s 10th anniversary year with a filigree-wrought flux of irisdescent synths and puckered rhythm programming blessed by an intricacy and fluffy sentiment that winks in the direction of shine-eyed Rephlex classics from Astrobotnia to Mike Paradinas or Italy’s D’Arcangelo.
She keeps the styles sweetly in flux across the EP, from airborne breaks and blissed harmonic movements recalling Aleksi Perälä’s beloved Astrobotnia project on ‘Entity’, to aeolian harpsichord plucks on the beat-less ‘Q’, and back to rushy µ-Ziq-ian breaks and melody in ‘Explorer 2.0’. With the staggered chords of ‘Inverted Refractions’ she brings the sound more up-to-date in line with Second Woman or Rian Treanor’s futurist electronica, and toggles back/forth between vintage AI ambient in ‘U’ and flighty electro on the EP title cut for a warmly memorable introduction to her sound.
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Effervescent braindance ambient/electro/breaks by Frankfurt’s N9OC, minting her solo debut proper on Die Orakel after a clutch of compilation cuts in recent years
‘Memory Allocator’ initiates the label’s 10th anniversary year with a filigree-wrought flux of irisdescent synths and puckered rhythm programming blessed by an intricacy and fluffy sentiment that winks in the direction of shine-eyed Rephlex classics from Astrobotnia to Mike Paradinas or Italy’s D’Arcangelo.
She keeps the styles sweetly in flux across the EP, from airborne breaks and blissed harmonic movements recalling Aleksi Perälä’s beloved Astrobotnia project on ‘Entity’, to aeolian harpsichord plucks on the beat-less ‘Q’, and back to rushy µ-Ziq-ian breaks and melody in ‘Explorer 2.0’. With the staggered chords of ‘Inverted Refractions’ she brings the sound more up-to-date in line with Second Woman or Rian Treanor’s futurist electronica, and toggles back/forth between vintage AI ambient in ‘U’ and flighty electro on the EP title cut for a warmly memorable introduction to her sound.
Effervescent braindance ambient/electro/breaks by Frankfurt’s N9OC, minting her solo debut proper on Die Orakel after a clutch of compilation cuts in recent years
‘Memory Allocator’ initiates the label’s 10th anniversary year with a filigree-wrought flux of irisdescent synths and puckered rhythm programming blessed by an intricacy and fluffy sentiment that winks in the direction of shine-eyed Rephlex classics from Astrobotnia to Mike Paradinas or Italy’s D’Arcangelo.
She keeps the styles sweetly in flux across the EP, from airborne breaks and blissed harmonic movements recalling Aleksi Perälä’s beloved Astrobotnia project on ‘Entity’, to aeolian harpsichord plucks on the beat-less ‘Q’, and back to rushy µ-Ziq-ian breaks and melody in ‘Explorer 2.0’. With the staggered chords of ‘Inverted Refractions’ she brings the sound more up-to-date in line with Second Woman or Rian Treanor’s futurist electronica, and toggles back/forth between vintage AI ambient in ‘U’ and flighty electro on the EP title cut for a warmly memorable introduction to her sound.
Effervescent braindance ambient/electro/breaks by Frankfurt’s N9OC, minting her solo debut proper on Die Orakel after a clutch of compilation cuts in recent years
‘Memory Allocator’ initiates the label’s 10th anniversary year with a filigree-wrought flux of irisdescent synths and puckered rhythm programming blessed by an intricacy and fluffy sentiment that winks in the direction of shine-eyed Rephlex classics from Astrobotnia to Mike Paradinas or Italy’s D’Arcangelo.
She keeps the styles sweetly in flux across the EP, from airborne breaks and blissed harmonic movements recalling Aleksi Perälä’s beloved Astrobotnia project on ‘Entity’, to aeolian harpsichord plucks on the beat-less ‘Q’, and back to rushy µ-Ziq-ian breaks and melody in ‘Explorer 2.0’. With the staggered chords of ‘Inverted Refractions’ she brings the sound more up-to-date in line with Second Woman or Rian Treanor’s futurist electronica, and toggles back/forth between vintage AI ambient in ‘U’ and flighty electro on the EP title cut for a warmly memorable introduction to her sound.