Melts In Your Mind
Reliable future jazz mutator Healing Force Project heavily impresses with a mix of atom-splitting detail and birds-eye macro topography RIYL Squarepusher, Gruppo, fusion era Miles Davis, This Heat or Pat Thomas’ jungle excursions
Leading on from exemplary sides for Firecracker and Berceuse Heroique over the past decade, Antonio Marini’s first HFP album with Impatience travels vast ground in search of an elusive jazz-fusion muse that endures from the early ‘70s. Half a century of intuitively groove-driven, electro-acoustic exploration is summoned across 40 minutes of amorphous arrangements that weave in the gaps of deep jungle, broken beats, Detroit beatdown and ambient jazz, or basically all that good stuff that derives from a phase when OG jazz players plugged in their kit and fucked with studio-as-instrument. Most crucially, HFP does so with ample injection of wandering soul and swagger, loosely tying in modal strands of West African and new age, techgnostic spirits the keep the bloodline of future jazz fusion vital and quizzically cool but simmering.
The six pieces vacillate a complexity of ideas in effortless flow. ‘Behaviour of Waves’ layers diffused pads with darting, oiled bassline and diffracted jungle step, limning gyring coordinates for a session that takes in killer mbalax-style whip cracks punctuation and bluezy holler under lysergic-liquid skies on the title tune, beside Urban Tribe-like beatdown of ‘Inharmonious Layer’, West London broken beats origami in ‘Diaphonization’, and something like Pat Thomas meets Beatrice Dillon in the table-laced post-jungle jazz projection of ‘Two Waves in the Dark’. Believe the hype, this one’s a doozy!
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Reliable future jazz mutator Healing Force Project heavily impresses with a mix of atom-splitting detail and birds-eye macro topography RIYL Squarepusher, Gruppo, fusion era Miles Davis, This Heat or Pat Thomas’ jungle excursions
Leading on from exemplary sides for Firecracker and Berceuse Heroique over the past decade, Antonio Marini’s first HFP album with Impatience travels vast ground in search of an elusive jazz-fusion muse that endures from the early ‘70s. Half a century of intuitively groove-driven, electro-acoustic exploration is summoned across 40 minutes of amorphous arrangements that weave in the gaps of deep jungle, broken beats, Detroit beatdown and ambient jazz, or basically all that good stuff that derives from a phase when OG jazz players plugged in their kit and fucked with studio-as-instrument. Most crucially, HFP does so with ample injection of wandering soul and swagger, loosely tying in modal strands of West African and new age, techgnostic spirits the keep the bloodline of future jazz fusion vital and quizzically cool but simmering.
The six pieces vacillate a complexity of ideas in effortless flow. ‘Behaviour of Waves’ layers diffused pads with darting, oiled bassline and diffracted jungle step, limning gyring coordinates for a session that takes in killer mbalax-style whip cracks punctuation and bluezy holler under lysergic-liquid skies on the title tune, beside Urban Tribe-like beatdown of ‘Inharmonious Layer’, West London broken beats origami in ‘Diaphonization’, and something like Pat Thomas meets Beatrice Dillon in the table-laced post-jungle jazz projection of ‘Two Waves in the Dark’. Believe the hype, this one’s a doozy!
Reliable future jazz mutator Healing Force Project heavily impresses with a mix of atom-splitting detail and birds-eye macro topography RIYL Squarepusher, Gruppo, fusion era Miles Davis, This Heat or Pat Thomas’ jungle excursions
Leading on from exemplary sides for Firecracker and Berceuse Heroique over the past decade, Antonio Marini’s first HFP album with Impatience travels vast ground in search of an elusive jazz-fusion muse that endures from the early ‘70s. Half a century of intuitively groove-driven, electro-acoustic exploration is summoned across 40 minutes of amorphous arrangements that weave in the gaps of deep jungle, broken beats, Detroit beatdown and ambient jazz, or basically all that good stuff that derives from a phase when OG jazz players plugged in their kit and fucked with studio-as-instrument. Most crucially, HFP does so with ample injection of wandering soul and swagger, loosely tying in modal strands of West African and new age, techgnostic spirits the keep the bloodline of future jazz fusion vital and quizzically cool but simmering.
The six pieces vacillate a complexity of ideas in effortless flow. ‘Behaviour of Waves’ layers diffused pads with darting, oiled bassline and diffracted jungle step, limning gyring coordinates for a session that takes in killer mbalax-style whip cracks punctuation and bluezy holler under lysergic-liquid skies on the title tune, beside Urban Tribe-like beatdown of ‘Inharmonious Layer’, West London broken beats origami in ‘Diaphonization’, and something like Pat Thomas meets Beatrice Dillon in the table-laced post-jungle jazz projection of ‘Two Waves in the Dark’. Believe the hype, this one’s a doozy!
Reliable future jazz mutator Healing Force Project heavily impresses with a mix of atom-splitting detail and birds-eye macro topography RIYL Squarepusher, Gruppo, fusion era Miles Davis, This Heat or Pat Thomas’ jungle excursions
Leading on from exemplary sides for Firecracker and Berceuse Heroique over the past decade, Antonio Marini’s first HFP album with Impatience travels vast ground in search of an elusive jazz-fusion muse that endures from the early ‘70s. Half a century of intuitively groove-driven, electro-acoustic exploration is summoned across 40 minutes of amorphous arrangements that weave in the gaps of deep jungle, broken beats, Detroit beatdown and ambient jazz, or basically all that good stuff that derives from a phase when OG jazz players plugged in their kit and fucked with studio-as-instrument. Most crucially, HFP does so with ample injection of wandering soul and swagger, loosely tying in modal strands of West African and new age, techgnostic spirits the keep the bloodline of future jazz fusion vital and quizzically cool but simmering.
The six pieces vacillate a complexity of ideas in effortless flow. ‘Behaviour of Waves’ layers diffused pads with darting, oiled bassline and diffracted jungle step, limning gyring coordinates for a session that takes in killer mbalax-style whip cracks punctuation and bluezy holler under lysergic-liquid skies on the title tune, beside Urban Tribe-like beatdown of ‘Inharmonious Layer’, West London broken beats origami in ‘Diaphonization’, and something like Pat Thomas meets Beatrice Dillon in the table-laced post-jungle jazz projection of ‘Two Waves in the Dark’. Believe the hype, this one’s a doozy!
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Reliable future jazz mutator Healing Force Project heavily impresses with a mix of atom-splitting detail and birds-eye macro topography RIYL Squarepusher, Gruppo, fusion era Miles Davis, This Heat or Pat Thomas’ jungle excursions
Leading on from exemplary sides for Firecracker and Berceuse Heroique over the past decade, Antonio Marini’s first HFP album with Impatience travels vast ground in search of an elusive jazz-fusion muse that endures from the early ‘70s. Half a century of intuitively groove-driven, electro-acoustic exploration is summoned across 40 minutes of amorphous arrangements that weave in the gaps of deep jungle, broken beats, Detroit beatdown and ambient jazz, or basically all that good stuff that derives from a phase when OG jazz players plugged in their kit and fucked with studio-as-instrument. Most crucially, HFP does so with ample injection of wandering soul and swagger, loosely tying in modal strands of West African and new age, techgnostic spirits the keep the bloodline of future jazz fusion vital and quizzically cool but simmering.
The six pieces vacillate a complexity of ideas in effortless flow. ‘Behaviour of Waves’ layers diffused pads with darting, oiled bassline and diffracted jungle step, limning gyring coordinates for a session that takes in killer mbalax-style whip cracks punctuation and bluezy holler under lysergic-liquid skies on the title tune, beside Urban Tribe-like beatdown of ‘Inharmonious Layer’, West London broken beats origami in ‘Diaphonization’, and something like Pat Thomas meets Beatrice Dillon in the table-laced post-jungle jazz projection of ‘Two Waves in the Dark’. Believe the hype, this one’s a doozy!