Mesmerising mix of kosmiche synths and slunky drum machines, and one unyielding slug of EBM techno on LA’s prolific ESP Institute
Leading on from his turns on Diagonal and Whities, Sweden’s Koehler plays out contrasting cuts that share a mutual urge to move.
In ’Melencolia V’ he coaxes bustling Afro-latin breaks, swole acid bass and gently spiralling arps into floating, weightless superstructure surely bound for a lot of play in summer 2019, and much the same could be said of his powerful B-side ‘Invidiosa’, whose tautly deferred disco-techno gratification is sure to get the cowie jaws going at peak time.
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Mesmerising mix of kosmiche synths and slunky drum machines, and one unyielding slug of EBM techno on LA’s prolific ESP Institute
Leading on from his turns on Diagonal and Whities, Sweden’s Koehler plays out contrasting cuts that share a mutual urge to move.
In ’Melencolia V’ he coaxes bustling Afro-latin breaks, swole acid bass and gently spiralling arps into floating, weightless superstructure surely bound for a lot of play in summer 2019, and much the same could be said of his powerful B-side ‘Invidiosa’, whose tautly deferred disco-techno gratification is sure to get the cowie jaws going at peak time.
Mesmerising mix of kosmiche synths and slunky drum machines, and one unyielding slug of EBM techno on LA’s prolific ESP Institute
Leading on from his turns on Diagonal and Whities, Sweden’s Koehler plays out contrasting cuts that share a mutual urge to move.
In ’Melencolia V’ he coaxes bustling Afro-latin breaks, swole acid bass and gently spiralling arps into floating, weightless superstructure surely bound for a lot of play in summer 2019, and much the same could be said of his powerful B-side ‘Invidiosa’, whose tautly deferred disco-techno gratification is sure to get the cowie jaws going at peak time.
Mesmerising mix of kosmiche synths and slunky drum machines, and one unyielding slug of EBM techno on LA’s prolific ESP Institute
Leading on from his turns on Diagonal and Whities, Sweden’s Koehler plays out contrasting cuts that share a mutual urge to move.
In ’Melencolia V’ he coaxes bustling Afro-latin breaks, swole acid bass and gently spiralling arps into floating, weightless superstructure surely bound for a lot of play in summer 2019, and much the same could be said of his powerful B-side ‘Invidiosa’, whose tautly deferred disco-techno gratification is sure to get the cowie jaws going at peak time.
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Mesmerising mix of kosmiche synths and slunky drum machines, and one unyielding slug of EBM techno on LA’s prolific ESP Institute
Leading on from his turns on Diagonal and Whities, Sweden’s Koehler plays out contrasting cuts that share a mutual urge to move.
In ’Melencolia V’ he coaxes bustling Afro-latin breaks, swole acid bass and gently spiralling arps into floating, weightless superstructure surely bound for a lot of play in summer 2019, and much the same could be said of his powerful B-side ‘Invidiosa’, whose tautly deferred disco-techno gratification is sure to get the cowie jaws going at peak time.