Boomkat Product Review:
Ceramic ocarinas meet Mick Karn-style fretless bass, synths and keys in this splendid turn from composer Oliver Leith on Matthew Herbert’s Accidental
Following a great EP by Abby Lee Tee on the label, Oliver Leith introduces himself to these pages with a warmly inviting collection crafted as the musical component of a collaboration with artist Michelle Ussher. Using the ceramic ocarinas (small ancient wind instruments) and shakers which accompanied paintings and tapestry from Michelle’s exhibition at Station Gallery, Australia, Leith conjures the balmiest atmospheres primed for slipping in with your trunks/bikini on and letting yourself bathe there all afternoon.
Trickly rhythmelodic patterns unfold in radiant webs and eddies across the EP’s six parts, invoking an air of dusk in the South Pacific or a Mediterranean island with ‘Manicure’, and letting the feeling sink in with the spongiform bass, slithering percussion and darting electronics of ‘Tiny Snake Eyes’, while ‘Hump’ recalls a sort of martian pygmy musick for moonlight dances, and ‘Dress Tail’ feels beamed in from other, imaginary dimensions where the whistling ’Stone Men’ exist and the exotica sirens of ‘Tongue In Ear’ attempt to seduce new age adventurers to their eerie Delia Derbyshire-like wavelength.