French-Canadian beatmaker Nahash breaks (flat)bread with Berlin-based Egyptian producer ABADIR on 'Marchadair', pounding '00s Arabic pop samples into tenderized, club (and wedding)-friendly belters. Featuring remixes from Ehua and Toumba.
Bonding over a shared love of food, '90s dance music and astral jazz at a SVBKVLT showcase in Italy, Nahash and ABADIR vowed to combine their talents. 'Marchadair', named after a French word that's become common Egyptian slang, is the result, and the title track should be enough to get yr mouth watering. The percussive hybridization of ABADIR's 'Mutate' - when he blended Arabic rhythms with jungle, Jersey club and footwork - is further refined by Nahash's keen-eared, dubwise engineering skills, and their shared love of Arabic pop allows them to reform their bank of familiar swooping strings and punctuating shouts into heavyweight peak-time banger.
'Tenterlé' speeds things up a little, but sticks to roughly the same template, upsetting the frenetic hand drum rhythms and pounding, syncopated kicks with giddy DSP processes and cybernetic knocks, and on 'Cabbout', the duo get closer to their source material, backing up their sensual, downtempo swings and synthesized whines with moody trip-hop inspired basslines and disorienting crowd sound. London's Ehua, who's released on 3024, turns in an agile remix of 'Tenterlé', and Toumba's loping, sub-heavy rework of 'Marchadair' is yet more proof that he's one of the best around.
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French-Canadian beatmaker Nahash breaks (flat)bread with Berlin-based Egyptian producer ABADIR on 'Marchadair', pounding '00s Arabic pop samples into tenderized, club (and wedding)-friendly belters. Featuring remixes from Ehua and Toumba.
Bonding over a shared love of food, '90s dance music and astral jazz at a SVBKVLT showcase in Italy, Nahash and ABADIR vowed to combine their talents. 'Marchadair', named after a French word that's become common Egyptian slang, is the result, and the title track should be enough to get yr mouth watering. The percussive hybridization of ABADIR's 'Mutate' - when he blended Arabic rhythms with jungle, Jersey club and footwork - is further refined by Nahash's keen-eared, dubwise engineering skills, and their shared love of Arabic pop allows them to reform their bank of familiar swooping strings and punctuating shouts into heavyweight peak-time banger.
'Tenterlé' speeds things up a little, but sticks to roughly the same template, upsetting the frenetic hand drum rhythms and pounding, syncopated kicks with giddy DSP processes and cybernetic knocks, and on 'Cabbout', the duo get closer to their source material, backing up their sensual, downtempo swings and synthesized whines with moody trip-hop inspired basslines and disorienting crowd sound. London's Ehua, who's released on 3024, turns in an agile remix of 'Tenterlé', and Toumba's loping, sub-heavy rework of 'Marchadair' is yet more proof that he's one of the best around.
French-Canadian beatmaker Nahash breaks (flat)bread with Berlin-based Egyptian producer ABADIR on 'Marchadair', pounding '00s Arabic pop samples into tenderized, club (and wedding)-friendly belters. Featuring remixes from Ehua and Toumba.
Bonding over a shared love of food, '90s dance music and astral jazz at a SVBKVLT showcase in Italy, Nahash and ABADIR vowed to combine their talents. 'Marchadair', named after a French word that's become common Egyptian slang, is the result, and the title track should be enough to get yr mouth watering. The percussive hybridization of ABADIR's 'Mutate' - when he blended Arabic rhythms with jungle, Jersey club and footwork - is further refined by Nahash's keen-eared, dubwise engineering skills, and their shared love of Arabic pop allows them to reform their bank of familiar swooping strings and punctuating shouts into heavyweight peak-time banger.
'Tenterlé' speeds things up a little, but sticks to roughly the same template, upsetting the frenetic hand drum rhythms and pounding, syncopated kicks with giddy DSP processes and cybernetic knocks, and on 'Cabbout', the duo get closer to their source material, backing up their sensual, downtempo swings and synthesized whines with moody trip-hop inspired basslines and disorienting crowd sound. London's Ehua, who's released on 3024, turns in an agile remix of 'Tenterlé', and Toumba's loping, sub-heavy rework of 'Marchadair' is yet more proof that he's one of the best around.
French-Canadian beatmaker Nahash breaks (flat)bread with Berlin-based Egyptian producer ABADIR on 'Marchadair', pounding '00s Arabic pop samples into tenderized, club (and wedding)-friendly belters. Featuring remixes from Ehua and Toumba.
Bonding over a shared love of food, '90s dance music and astral jazz at a SVBKVLT showcase in Italy, Nahash and ABADIR vowed to combine their talents. 'Marchadair', named after a French word that's become common Egyptian slang, is the result, and the title track should be enough to get yr mouth watering. The percussive hybridization of ABADIR's 'Mutate' - when he blended Arabic rhythms with jungle, Jersey club and footwork - is further refined by Nahash's keen-eared, dubwise engineering skills, and their shared love of Arabic pop allows them to reform their bank of familiar swooping strings and punctuating shouts into heavyweight peak-time banger.
'Tenterlé' speeds things up a little, but sticks to roughly the same template, upsetting the frenetic hand drum rhythms and pounding, syncopated kicks with giddy DSP processes and cybernetic knocks, and on 'Cabbout', the duo get closer to their source material, backing up their sensual, downtempo swings and synthesized whines with moody trip-hop inspired basslines and disorienting crowd sound. London's Ehua, who's released on 3024, turns in an agile remix of 'Tenterlé', and Toumba's loping, sub-heavy rework of 'Marchadair' is yet more proof that he's one of the best around.