INTERPOL
Marauder
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
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Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
Limited edition cream vinyl LP.
Out of Stock
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
Black vinyl.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Interpol release their sixth studio album ‘Marauder’.
"For the first time since 2007’s ‘Our Love To Admire’, Interpol have opened themselves up to the input of a producer. For twoweek spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann - famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai and countless more.
In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself and the answer is in the striding gallop of opener ‘If You Really Love Nothing’, the embellished skip ‘n’ bounce of ‘Stay In Touch’ and the R&B swagger of closer ‘It Probably Matters’. Interpol have always been worldbeaters at creating a feeling but ‘Marauder’ is where the feel is just as crucial. Paul may have stepped out of the shadows as a bassist but he’s stepping into an even brighter light as a songwriter.
During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters and observations, often phrased in abstract. However, more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”
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