GiGi FM
Magnetite EP
Boomkat Product Review:
Pointillist percussive kinetics by Giulia Fournier aka GiGi FM, debuting as the third release with Bambounou’s label - a big look for the hard drum crew and Parisian bassbin botherers.
Armed with baga drums, Fournier escalates the energy steadily across her first four tracks to date, exerting classy groove control and crisp production in each cut, while seamlessly integrating and manifesting her studies in astrology, philosophy, metaphysical science and ritual. Call it earth mother techno if you must, but there’s a fundamental charge of urgent, ancient energies articulated with new means that makes the tracks work without explanation, as the EP unfolds from the whirring rhythmic efficiency of ‘Senstronaut (MYO)’, to the tumping minimal techno of ‘Manasa (PST)’ and onto more reckless uptempo flight and feathered synthesis of ‘Ketu’s Dance’ and the meter-messing slow/fast impulses of ’22 Tear Drops’.
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Boomkat Product Review:
Pointillist percussive kinetics by Giulia Fournier aka GiGi FM, debuting as the third release with Bambounou’s label - a big look for the hard drum crew and Parisian bassbin botherers.
Armed with baga drums, Fournier escalates the energy steadily across her first four tracks to date, exerting classy groove control and crisp production in each cut, while seamlessly integrating and manifesting her studies in astrology, philosophy, metaphysical science and ritual. Call it earth mother techno if you must, but there’s a fundamental charge of urgent, ancient energies articulated with new means that makes the tracks work without explanation, as the EP unfolds from the whirring rhythmic efficiency of ‘Senstronaut (MYO)’, to the tumping minimal techno of ‘Manasa (PST)’ and onto more reckless uptempo flight and feathered synthesis of ‘Ketu’s Dance’ and the meter-messing slow/fast impulses of ’22 Tear Drops’.
Boomkat Product Review:
Pointillist percussive kinetics by Giulia Fournier aka GiGi FM, debuting as the third release with Bambounou’s label - a big look for the hard drum crew and Parisian bassbin botherers.
Armed with baga drums, Fournier escalates the energy steadily across her first four tracks to date, exerting classy groove control and crisp production in each cut, while seamlessly integrating and manifesting her studies in astrology, philosophy, metaphysical science and ritual. Call it earth mother techno if you must, but there’s a fundamental charge of urgent, ancient energies articulated with new means that makes the tracks work without explanation, as the EP unfolds from the whirring rhythmic efficiency of ‘Senstronaut (MYO)’, to the tumping minimal techno of ‘Manasa (PST)’ and onto more reckless uptempo flight and feathered synthesis of ‘Ketu’s Dance’ and the meter-messing slow/fast impulses of ’22 Tear Drops’.
Boomkat Product Review:
Pointillist percussive kinetics by Giulia Fournier aka GiGi FM, debuting as the third release with Bambounou’s label - a big look for the hard drum crew and Parisian bassbin botherers.
Armed with baga drums, Fournier escalates the energy steadily across her first four tracks to date, exerting classy groove control and crisp production in each cut, while seamlessly integrating and manifesting her studies in astrology, philosophy, metaphysical science and ritual. Call it earth mother techno if you must, but there’s a fundamental charge of urgent, ancient energies articulated with new means that makes the tracks work without explanation, as the EP unfolds from the whirring rhythmic efficiency of ‘Senstronaut (MYO)’, to the tumping minimal techno of ‘Manasa (PST)’ and onto more reckless uptempo flight and feathered synthesis of ‘Ketu’s Dance’ and the meter-messing slow/fast impulses of ’22 Tear Drops’.
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Boomkat Product Review:
Pointillist percussive kinetics by Giulia Fournier aka GiGi FM, debuting as the third release with Bambounou’s label - a big look for the hard drum crew and Parisian bassbin botherers.
Armed with baga drums, Fournier escalates the energy steadily across her first four tracks to date, exerting classy groove control and crisp production in each cut, while seamlessly integrating and manifesting her studies in astrology, philosophy, metaphysical science and ritual. Call it earth mother techno if you must, but there’s a fundamental charge of urgent, ancient energies articulated with new means that makes the tracks work without explanation, as the EP unfolds from the whirring rhythmic efficiency of ‘Senstronaut (MYO)’, to the tumping minimal techno of ‘Manasa (PST)’ and onto more reckless uptempo flight and feathered synthesis of ‘Ketu’s Dance’ and the meter-messing slow/fast impulses of ’22 Tear Drops’.
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