Le Motel & Bruce Wijn
MAAR
Boomkat Product Review:
Le Motel and Bruce Wijn's MAAR, via Cortizona.
"Le Motel's world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist. It's somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel through his studio.
Bruce Wijn is a Brussels-based guitarist who played in several post rock projects such as Sound Film, 52 Commercial Road, or the more shoegazey Lazy Sin. As a musician, his focus has always been attracted
by progressively built rhythmic melodies, which would eventually turn into long reverberated or distorted swells, or the otherway round.
Their first collaboration happened when Le Motel was working on the soundtrack of the movie Binti, and invited Bruce Wijn for the track Exode, in 2018. Since then, they've been working on other scoring projects, such as the feature film 'Aller Retour' more recently. Alongside the movie scoring activities another audiovisual live project was born, in collaboration with Antoine de Schuyter and his mesmerizing images. This one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first E.P.
'MAAR' is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations. From the first echoing sounds of playing kids on the shoreside in the opening track 'La Perche' Le Motel & Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled, out of range, future. 'MAAR' dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with 'Captain Ahab' floating on sonic breaking waves, while seagulls gently spread their wings flying through the breezy and misty clouds of Blankenberge."
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Boomkat Product Review:
Le Motel and Bruce Wijn's MAAR, via Cortizona.
"Le Motel's world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist. It's somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel through his studio.
Bruce Wijn is a Brussels-based guitarist who played in several post rock projects such as Sound Film, 52 Commercial Road, or the more shoegazey Lazy Sin. As a musician, his focus has always been attracted
by progressively built rhythmic melodies, which would eventually turn into long reverberated or distorted swells, or the otherway round.
Their first collaboration happened when Le Motel was working on the soundtrack of the movie Binti, and invited Bruce Wijn for the track Exode, in 2018. Since then, they've been working on other scoring projects, such as the feature film 'Aller Retour' more recently. Alongside the movie scoring activities another audiovisual live project was born, in collaboration with Antoine de Schuyter and his mesmerizing images. This one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first E.P.
'MAAR' is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations. From the first echoing sounds of playing kids on the shoreside in the opening track 'La Perche' Le Motel & Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled, out of range, future. 'MAAR' dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with 'Captain Ahab' floating on sonic breaking waves, while seagulls gently spread their wings flying through the breezy and misty clouds of Blankenberge."
Boomkat Product Review:
Le Motel and Bruce Wijn's MAAR, via Cortizona.
"Le Motel's world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist. It's somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel through his studio.
Bruce Wijn is a Brussels-based guitarist who played in several post rock projects such as Sound Film, 52 Commercial Road, or the more shoegazey Lazy Sin. As a musician, his focus has always been attracted
by progressively built rhythmic melodies, which would eventually turn into long reverberated or distorted swells, or the otherway round.
Their first collaboration happened when Le Motel was working on the soundtrack of the movie Binti, and invited Bruce Wijn for the track Exode, in 2018. Since then, they've been working on other scoring projects, such as the feature film 'Aller Retour' more recently. Alongside the movie scoring activities another audiovisual live project was born, in collaboration with Antoine de Schuyter and his mesmerizing images. This one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first E.P.
'MAAR' is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations. From the first echoing sounds of playing kids on the shoreside in the opening track 'La Perche' Le Motel & Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled, out of range, future. 'MAAR' dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with 'Captain Ahab' floating on sonic breaking waves, while seagulls gently spread their wings flying through the breezy and misty clouds of Blankenberge."
Boomkat Product Review:
Le Motel and Bruce Wijn's MAAR, via Cortizona.
"Le Motel's world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist. It's somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel through his studio.
Bruce Wijn is a Brussels-based guitarist who played in several post rock projects such as Sound Film, 52 Commercial Road, or the more shoegazey Lazy Sin. As a musician, his focus has always been attracted
by progressively built rhythmic melodies, which would eventually turn into long reverberated or distorted swells, or the otherway round.
Their first collaboration happened when Le Motel was working on the soundtrack of the movie Binti, and invited Bruce Wijn for the track Exode, in 2018. Since then, they've been working on other scoring projects, such as the feature film 'Aller Retour' more recently. Alongside the movie scoring activities another audiovisual live project was born, in collaboration with Antoine de Schuyter and his mesmerizing images. This one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first E.P.
'MAAR' is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations. From the first echoing sounds of playing kids on the shoreside in the opening track 'La Perche' Le Motel & Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled, out of range, future. 'MAAR' dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with 'Captain Ahab' floating on sonic breaking waves, while seagulls gently spread their wings flying through the breezy and misty clouds of Blankenberge."
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Le Motel and Bruce Wijn's MAAR, via Cortizona.
"Le Motel's world is a vortex of sight and sound that takes in the many and varied corners of the planet. As a music producer and film composer his versatility has taken him to festivals and clubs in every direction as naturally as he has ventured out to the less accessible areas of the globe as a field recordist. It's somewhere in between these spaces that Le Motel operates, gathering unique experiences and sounds to channel through his studio.
Bruce Wijn is a Brussels-based guitarist who played in several post rock projects such as Sound Film, 52 Commercial Road, or the more shoegazey Lazy Sin. As a musician, his focus has always been attracted
by progressively built rhythmic melodies, which would eventually turn into long reverberated or distorted swells, or the otherway round.
Their first collaboration happened when Le Motel was working on the soundtrack of the movie Binti, and invited Bruce Wijn for the track Exode, in 2018. Since then, they've been working on other scoring projects, such as the feature film 'Aller Retour' more recently. Alongside the movie scoring activities another audiovisual live project was born, in collaboration with Antoine de Schuyter and his mesmerizing images. This one is more focusing on tape textures, field recordings and glitchy effects in order to build atmospheric tracks that they decided to bring together in a first E.P.
'MAAR' is elaborated as a soundtrack for an imaginary journey between cold seas and volcanoes explorations. From the first echoing sounds of playing kids on the shoreside in the opening track 'La Perche' Le Motel & Bruce Wijn let you slide in a technicolor dreamworld, reverbing slowly innocent childhood memories into a chilled, out of range, future. 'MAAR' dives deep into a kaleidoscopic microcosmos watching Nautilus playing hide and seek with 'Captain Ahab' floating on sonic breaking waves, while seagulls gently spread their wings flying through the breezy and misty clouds of Blankenberge."
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