Ladies and ruffians, Gesloten Cirkel serves your party with the first of two eagerly awaited 12"s marking the mysterious producer's return to I-f's Murder Capital.
Basically thee deepest, darkest c*nt out there right now, he sticks to his analog guns with three tracks swerving acid house into darkwave EBM pop and epic club arrangements.
The ten minute 'Real Melbourne House' invokes Phuture's acid track with raw and upfront machine patterns galvanised by reactive arpeggios and a perfectly-timed kick-drum to the gut; an acid mix of 'Stakan' from 'Submit X' follows for those who can't get enough of the album's ripping original.
And, for even more insatiable types, there's an unrelenting - yet highly disciplined - 14 minute acid excursion on the flip, sounding like Bam Bam brought up in a Chernobyl warehouse.
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Ladies and ruffians, Gesloten Cirkel serves your party with the first of two eagerly awaited 12"s marking the mysterious producer's return to I-f's Murder Capital.
Basically thee deepest, darkest c*nt out there right now, he sticks to his analog guns with three tracks swerving acid house into darkwave EBM pop and epic club arrangements.
The ten minute 'Real Melbourne House' invokes Phuture's acid track with raw and upfront machine patterns galvanised by reactive arpeggios and a perfectly-timed kick-drum to the gut; an acid mix of 'Stakan' from 'Submit X' follows for those who can't get enough of the album's ripping original.
And, for even more insatiable types, there's an unrelenting - yet highly disciplined - 14 minute acid excursion on the flip, sounding like Bam Bam brought up in a Chernobyl warehouse.
Ladies and ruffians, Gesloten Cirkel serves your party with the first of two eagerly awaited 12"s marking the mysterious producer's return to I-f's Murder Capital.
Basically thee deepest, darkest c*nt out there right now, he sticks to his analog guns with three tracks swerving acid house into darkwave EBM pop and epic club arrangements.
The ten minute 'Real Melbourne House' invokes Phuture's acid track with raw and upfront machine patterns galvanised by reactive arpeggios and a perfectly-timed kick-drum to the gut; an acid mix of 'Stakan' from 'Submit X' follows for those who can't get enough of the album's ripping original.
And, for even more insatiable types, there's an unrelenting - yet highly disciplined - 14 minute acid excursion on the flip, sounding like Bam Bam brought up in a Chernobyl warehouse.
Ladies and ruffians, Gesloten Cirkel serves your party with the first of two eagerly awaited 12"s marking the mysterious producer's return to I-f's Murder Capital.
Basically thee deepest, darkest c*nt out there right now, he sticks to his analog guns with three tracks swerving acid house into darkwave EBM pop and epic club arrangements.
The ten minute 'Real Melbourne House' invokes Phuture's acid track with raw and upfront machine patterns galvanised by reactive arpeggios and a perfectly-timed kick-drum to the gut; an acid mix of 'Stakan' from 'Submit X' follows for those who can't get enough of the album's ripping original.
And, for even more insatiable types, there's an unrelenting - yet highly disciplined - 14 minute acid excursion on the flip, sounding like Bam Bam brought up in a Chernobyl warehouse.
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Ladies and ruffians, Gesloten Cirkel serves your party with the first of two eagerly awaited 12"s marking the mysterious producer's return to I-f's Murder Capital.
Basically thee deepest, darkest c*nt out there right now, he sticks to his analog guns with three tracks swerving acid house into darkwave EBM pop and epic club arrangements.
The ten minute 'Real Melbourne House' invokes Phuture's acid track with raw and upfront machine patterns galvanised by reactive arpeggios and a perfectly-timed kick-drum to the gut; an acid mix of 'Stakan' from 'Submit X' follows for those who can't get enough of the album's ripping original.
And, for even more insatiable types, there's an unrelenting - yet highly disciplined - 14 minute acid excursion on the flip, sounding like Bam Bam brought up in a Chernobyl warehouse.