Utopian pop nous from Free Love, the Glaswegian pairing of Suzanne Rodden & Lewis Cook who were previously known as Happy Meals
Back on their Full Ashram label following Happy Meals’ ‘Apéro’ [2014] and 12”s for Optimo and Night School over the interim, the duo reprise a psychedelically enriched style of songwriting aimed at lounging dancefloors and pop romantic longing for a new fix.
Their 8 songs bubble with colour and breezy warmth, fanning out from the woozy charms of their Johnny Jewel-esque lead single ‘Playing As Punks’, to take in Night Jewel-alike balmy boogie in ‘Pushing Too Hard’, along with the classic synth-pop brim of ‘Et Encore’ in a way recalling Premiere Classe’ ‘Poupee Flash’, and wending on thru the Peaking Lights-like ‘Et Avant’, and proper Italo disco class in ’Tomorrow Could Be Heaven’ and ’Synchronicity’.
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Utopian pop nous from Free Love, the Glaswegian pairing of Suzanne Rodden & Lewis Cook who were previously known as Happy Meals
Back on their Full Ashram label following Happy Meals’ ‘Apéro’ [2014] and 12”s for Optimo and Night School over the interim, the duo reprise a psychedelically enriched style of songwriting aimed at lounging dancefloors and pop romantic longing for a new fix.
Their 8 songs bubble with colour and breezy warmth, fanning out from the woozy charms of their Johnny Jewel-esque lead single ‘Playing As Punks’, to take in Night Jewel-alike balmy boogie in ‘Pushing Too Hard’, along with the classic synth-pop brim of ‘Et Encore’ in a way recalling Premiere Classe’ ‘Poupee Flash’, and wending on thru the Peaking Lights-like ‘Et Avant’, and proper Italo disco class in ’Tomorrow Could Be Heaven’ and ’Synchronicity’.
Utopian pop nous from Free Love, the Glaswegian pairing of Suzanne Rodden & Lewis Cook who were previously known as Happy Meals
Back on their Full Ashram label following Happy Meals’ ‘Apéro’ [2014] and 12”s for Optimo and Night School over the interim, the duo reprise a psychedelically enriched style of songwriting aimed at lounging dancefloors and pop romantic longing for a new fix.
Their 8 songs bubble with colour and breezy warmth, fanning out from the woozy charms of their Johnny Jewel-esque lead single ‘Playing As Punks’, to take in Night Jewel-alike balmy boogie in ‘Pushing Too Hard’, along with the classic synth-pop brim of ‘Et Encore’ in a way recalling Premiere Classe’ ‘Poupee Flash’, and wending on thru the Peaking Lights-like ‘Et Avant’, and proper Italo disco class in ’Tomorrow Could Be Heaven’ and ’Synchronicity’.
Utopian pop nous from Free Love, the Glaswegian pairing of Suzanne Rodden & Lewis Cook who were previously known as Happy Meals
Back on their Full Ashram label following Happy Meals’ ‘Apéro’ [2014] and 12”s for Optimo and Night School over the interim, the duo reprise a psychedelically enriched style of songwriting aimed at lounging dancefloors and pop romantic longing for a new fix.
Their 8 songs bubble with colour and breezy warmth, fanning out from the woozy charms of their Johnny Jewel-esque lead single ‘Playing As Punks’, to take in Night Jewel-alike balmy boogie in ‘Pushing Too Hard’, along with the classic synth-pop brim of ‘Et Encore’ in a way recalling Premiere Classe’ ‘Poupee Flash’, and wending on thru the Peaking Lights-like ‘Et Avant’, and proper Italo disco class in ’Tomorrow Could Be Heaven’ and ’Synchronicity’.
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Utopian pop nous from Free Love, the Glaswegian pairing of Suzanne Rodden & Lewis Cook who were previously known as Happy Meals
Back on their Full Ashram label following Happy Meals’ ‘Apéro’ [2014] and 12”s for Optimo and Night School over the interim, the duo reprise a psychedelically enriched style of songwriting aimed at lounging dancefloors and pop romantic longing for a new fix.
Their 8 songs bubble with colour and breezy warmth, fanning out from the woozy charms of their Johnny Jewel-esque lead single ‘Playing As Punks’, to take in Night Jewel-alike balmy boogie in ‘Pushing Too Hard’, along with the classic synth-pop brim of ‘Et Encore’ in a way recalling Premiere Classe’ ‘Poupee Flash’, and wending on thru the Peaking Lights-like ‘Et Avant’, and proper Italo disco class in ’Tomorrow Could Be Heaven’ and ’Synchronicity’.