Beautiful 2nd Lushlyfe transmission from the Amsterdam-rooted mind of Jordan GCZ - of Juju & Jordash fame.
In the best sense, Jordan’s studied mixture of style and studio technique nodding to classic jazz, psychedelia, house and ambient recordings makes it hard to pick what decade this record was made in without prior knowledge.
It was actually made recently, but Sweet Dreams sounds more like Radiophonic workshop output or GRM experiment than anything contemporaneous, and the washed-out desert island vibes of Yetghua hint at some private pressed ‘80s new age sound a la Gigi Masin or something you might expect to turn up on Music From Memory, whilst the Sus vignette feels out space between Pekka Airaksinen and Jon Hassell, and his beckoning coos melt into the floating chords and subs of Bol with mouth-watering, fragrant delicacy.
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Beautiful 2nd Lushlyfe transmission from the Amsterdam-rooted mind of Jordan GCZ - of Juju & Jordash fame.
In the best sense, Jordan’s studied mixture of style and studio technique nodding to classic jazz, psychedelia, house and ambient recordings makes it hard to pick what decade this record was made in without prior knowledge.
It was actually made recently, but Sweet Dreams sounds more like Radiophonic workshop output or GRM experiment than anything contemporaneous, and the washed-out desert island vibes of Yetghua hint at some private pressed ‘80s new age sound a la Gigi Masin or something you might expect to turn up on Music From Memory, whilst the Sus vignette feels out space between Pekka Airaksinen and Jon Hassell, and his beckoning coos melt into the floating chords and subs of Bol with mouth-watering, fragrant delicacy.
Beautiful 2nd Lushlyfe transmission from the Amsterdam-rooted mind of Jordan GCZ - of Juju & Jordash fame.
In the best sense, Jordan’s studied mixture of style and studio technique nodding to classic jazz, psychedelia, house and ambient recordings makes it hard to pick what decade this record was made in without prior knowledge.
It was actually made recently, but Sweet Dreams sounds more like Radiophonic workshop output or GRM experiment than anything contemporaneous, and the washed-out desert island vibes of Yetghua hint at some private pressed ‘80s new age sound a la Gigi Masin or something you might expect to turn up on Music From Memory, whilst the Sus vignette feels out space between Pekka Airaksinen and Jon Hassell, and his beckoning coos melt into the floating chords and subs of Bol with mouth-watering, fragrant delicacy.
Beautiful 2nd Lushlyfe transmission from the Amsterdam-rooted mind of Jordan GCZ - of Juju & Jordash fame.
In the best sense, Jordan’s studied mixture of style and studio technique nodding to classic jazz, psychedelia, house and ambient recordings makes it hard to pick what decade this record was made in without prior knowledge.
It was actually made recently, but Sweet Dreams sounds more like Radiophonic workshop output or GRM experiment than anything contemporaneous, and the washed-out desert island vibes of Yetghua hint at some private pressed ‘80s new age sound a la Gigi Masin or something you might expect to turn up on Music From Memory, whilst the Sus vignette feels out space between Pekka Airaksinen and Jon Hassell, and his beckoning coos melt into the floating chords and subs of Bol with mouth-watering, fragrant delicacy.
Doubled sided silk screen sleeve designed by Cosmo Knex
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Beautiful 2nd Lushlyfe transmission from the Amsterdam-rooted mind of Jordan GCZ - of Juju & Jordash fame.
In the best sense, Jordan’s studied mixture of style and studio technique nodding to classic jazz, psychedelia, house and ambient recordings makes it hard to pick what decade this record was made in without prior knowledge.
It was actually made recently, but Sweet Dreams sounds more like Radiophonic workshop output or GRM experiment than anything contemporaneous, and the washed-out desert island vibes of Yetghua hint at some private pressed ‘80s new age sound a la Gigi Masin or something you might expect to turn up on Music From Memory, whilst the Sus vignette feels out space between Pekka Airaksinen and Jon Hassell, and his beckoning coos melt into the floating chords and subs of Bol with mouth-watering, fragrant delicacy.