Lucy
Lucy Plays Wanton Witch
Boomkat Product Review:
Stroboscopic Artefacts founder Lucy mangles Wanton Witch's stand-out 2021 full-length, using it as the starting point for a fresh body of work. It's the best material Lucy's emerged with in ages, ranging from chromium wind-tunnel soundscapes and pulped titanium IDM to teeth-out dungeon 4/4 and ruffneck jungle.
'Lucy Plays Wanton Witch' is a colorful take on the remix album formula, with Lucy using Wanton Witch's self-titled album as a place to experiment in long-form, rather than farm out each track to another producer. A coherent re-approximation of the original album, it's Wanton Witch as viewed thru Lucy's microscope, and the producer has discovered a new realm of possibility under the glass.
In Lucy's hands 'Daddy's Girl' becomes an overdriven, caked-on mud of 'Ha crash' wobbles, ominous sub blasts and nervous, twitchy beats. The dancefloor utility is almost lost completely, as beats are swept up into rust clouds of distorted DSP, and melodic phrases phase in-and-out of anxious radio interference. 'Do I Pass' is transformed into downtempo mutant 4/4, punctuated by barely-audible voices and groans - it's like screwed 'n chopped Skinny Puppy, with Wanton Witch's pitch-shifted voice deadpanning "identity" over a factory-strength pneumatic chug.
For their take on 'Walking on Moirai', Lucy scraps the beats altogether, bringing out creaking sheet metal drones and Wanton Witch's unsettling classical music loops, while 'Lament Ceremony' and 'Looping Projection of You' are fused together and pressed into a sweaty void-churning club monster. All this feels like a buildup to 'Resentment' - the original track was a highlight of Wanton Witch's original album, and here Lucy harnesses the energy into metal shavings and Berghain-ready kicks that pound with tight, leather-clad sweatiness.
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Boomkat Product Review:
Stroboscopic Artefacts founder Lucy mangles Wanton Witch's stand-out 2021 full-length, using it as the starting point for a fresh body of work. It's the best material Lucy's emerged with in ages, ranging from chromium wind-tunnel soundscapes and pulped titanium IDM to teeth-out dungeon 4/4 and ruffneck jungle.
'Lucy Plays Wanton Witch' is a colorful take on the remix album formula, with Lucy using Wanton Witch's self-titled album as a place to experiment in long-form, rather than farm out each track to another producer. A coherent re-approximation of the original album, it's Wanton Witch as viewed thru Lucy's microscope, and the producer has discovered a new realm of possibility under the glass.
In Lucy's hands 'Daddy's Girl' becomes an overdriven, caked-on mud of 'Ha crash' wobbles, ominous sub blasts and nervous, twitchy beats. The dancefloor utility is almost lost completely, as beats are swept up into rust clouds of distorted DSP, and melodic phrases phase in-and-out of anxious radio interference. 'Do I Pass' is transformed into downtempo mutant 4/4, punctuated by barely-audible voices and groans - it's like screwed 'n chopped Skinny Puppy, with Wanton Witch's pitch-shifted voice deadpanning "identity" over a factory-strength pneumatic chug.
For their take on 'Walking on Moirai', Lucy scraps the beats altogether, bringing out creaking sheet metal drones and Wanton Witch's unsettling classical music loops, while 'Lament Ceremony' and 'Looping Projection of You' are fused together and pressed into a sweaty void-churning club monster. All this feels like a buildup to 'Resentment' - the original track was a highlight of Wanton Witch's original album, and here Lucy harnesses the energy into metal shavings and Berghain-ready kicks that pound with tight, leather-clad sweatiness.
Boomkat Product Review:
Stroboscopic Artefacts founder Lucy mangles Wanton Witch's stand-out 2021 full-length, using it as the starting point for a fresh body of work. It's the best material Lucy's emerged with in ages, ranging from chromium wind-tunnel soundscapes and pulped titanium IDM to teeth-out dungeon 4/4 and ruffneck jungle.
'Lucy Plays Wanton Witch' is a colorful take on the remix album formula, with Lucy using Wanton Witch's self-titled album as a place to experiment in long-form, rather than farm out each track to another producer. A coherent re-approximation of the original album, it's Wanton Witch as viewed thru Lucy's microscope, and the producer has discovered a new realm of possibility under the glass.
In Lucy's hands 'Daddy's Girl' becomes an overdriven, caked-on mud of 'Ha crash' wobbles, ominous sub blasts and nervous, twitchy beats. The dancefloor utility is almost lost completely, as beats are swept up into rust clouds of distorted DSP, and melodic phrases phase in-and-out of anxious radio interference. 'Do I Pass' is transformed into downtempo mutant 4/4, punctuated by barely-audible voices and groans - it's like screwed 'n chopped Skinny Puppy, with Wanton Witch's pitch-shifted voice deadpanning "identity" over a factory-strength pneumatic chug.
For their take on 'Walking on Moirai', Lucy scraps the beats altogether, bringing out creaking sheet metal drones and Wanton Witch's unsettling classical music loops, while 'Lament Ceremony' and 'Looping Projection of You' are fused together and pressed into a sweaty void-churning club monster. All this feels like a buildup to 'Resentment' - the original track was a highlight of Wanton Witch's original album, and here Lucy harnesses the energy into metal shavings and Berghain-ready kicks that pound with tight, leather-clad sweatiness.
Boomkat Product Review:
Stroboscopic Artefacts founder Lucy mangles Wanton Witch's stand-out 2021 full-length, using it as the starting point for a fresh body of work. It's the best material Lucy's emerged with in ages, ranging from chromium wind-tunnel soundscapes and pulped titanium IDM to teeth-out dungeon 4/4 and ruffneck jungle.
'Lucy Plays Wanton Witch' is a colorful take on the remix album formula, with Lucy using Wanton Witch's self-titled album as a place to experiment in long-form, rather than farm out each track to another producer. A coherent re-approximation of the original album, it's Wanton Witch as viewed thru Lucy's microscope, and the producer has discovered a new realm of possibility under the glass.
In Lucy's hands 'Daddy's Girl' becomes an overdriven, caked-on mud of 'Ha crash' wobbles, ominous sub blasts and nervous, twitchy beats. The dancefloor utility is almost lost completely, as beats are swept up into rust clouds of distorted DSP, and melodic phrases phase in-and-out of anxious radio interference. 'Do I Pass' is transformed into downtempo mutant 4/4, punctuated by barely-audible voices and groans - it's like screwed 'n chopped Skinny Puppy, with Wanton Witch's pitch-shifted voice deadpanning "identity" over a factory-strength pneumatic chug.
For their take on 'Walking on Moirai', Lucy scraps the beats altogether, bringing out creaking sheet metal drones and Wanton Witch's unsettling classical music loops, while 'Lament Ceremony' and 'Looping Projection of You' are fused together and pressed into a sweaty void-churning club monster. All this feels like a buildup to 'Resentment' - the original track was a highlight of Wanton Witch's original album, and here Lucy harnesses the energy into metal shavings and Berghain-ready kicks that pound with tight, leather-clad sweatiness.
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Boomkat Product Review:
Stroboscopic Artefacts founder Lucy mangles Wanton Witch's stand-out 2021 full-length, using it as the starting point for a fresh body of work. It's the best material Lucy's emerged with in ages, ranging from chromium wind-tunnel soundscapes and pulped titanium IDM to teeth-out dungeon 4/4 and ruffneck jungle.
'Lucy Plays Wanton Witch' is a colorful take on the remix album formula, with Lucy using Wanton Witch's self-titled album as a place to experiment in long-form, rather than farm out each track to another producer. A coherent re-approximation of the original album, it's Wanton Witch as viewed thru Lucy's microscope, and the producer has discovered a new realm of possibility under the glass.
In Lucy's hands 'Daddy's Girl' becomes an overdriven, caked-on mud of 'Ha crash' wobbles, ominous sub blasts and nervous, twitchy beats. The dancefloor utility is almost lost completely, as beats are swept up into rust clouds of distorted DSP, and melodic phrases phase in-and-out of anxious radio interference. 'Do I Pass' is transformed into downtempo mutant 4/4, punctuated by barely-audible voices and groans - it's like screwed 'n chopped Skinny Puppy, with Wanton Witch's pitch-shifted voice deadpanning "identity" over a factory-strength pneumatic chug.
For their take on 'Walking on Moirai', Lucy scraps the beats altogether, bringing out creaking sheet metal drones and Wanton Witch's unsettling classical music loops, while 'Lament Ceremony' and 'Looping Projection of You' are fused together and pressed into a sweaty void-churning club monster. All this feels like a buildup to 'Resentment' - the original track was a highlight of Wanton Witch's original album, and here Lucy harnesses the energy into metal shavings and Berghain-ready kicks that pound with tight, leather-clad sweatiness.
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