Love Without Illusion
Sultry, kinky disco tricks from the belly of Glasgow, going like sexier siblings of Golden Teacher or Gabe Gurnsey on a classy debut album
‘Love Without Illusion’ is a winking invitation to dance from Pleasure Pool’s Finn O’Hare (synths, production), Andrew Robertson (vocals) and a coterie of players from Glasgow’s envied scene. Rife with cowbells and sinuous dubbing, it feels like a clear echo of the influences that went into cult 2010’s project Golden Teacher, themselves a product of Glasgow’s fecund party and gig networks, but distinguished by their slower pacing and groggy/wired after-after-party gait.
We can also hear parallels with certain Manchester groups in there, too, from nods to early ACR thru Ste Spandex’s sleaziest Licking Mirrors joints, as firmed up in the album’s superb riff on the ‘Voodoo Ray’ bassline in closer ‘Zero Hours’, or the no-fucks-given disco prance of ‘Lick The Bag’, but it’s basically all bang on the money for feeling like you’re up-to-the-hilt in an endless weekend session. Keys in the pot!
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Sultry, kinky disco tricks from the belly of Glasgow, going like sexier siblings of Golden Teacher or Gabe Gurnsey on a classy debut album
‘Love Without Illusion’ is a winking invitation to dance from Pleasure Pool’s Finn O’Hare (synths, production), Andrew Robertson (vocals) and a coterie of players from Glasgow’s envied scene. Rife with cowbells and sinuous dubbing, it feels like a clear echo of the influences that went into cult 2010’s project Golden Teacher, themselves a product of Glasgow’s fecund party and gig networks, but distinguished by their slower pacing and groggy/wired after-after-party gait.
We can also hear parallels with certain Manchester groups in there, too, from nods to early ACR thru Ste Spandex’s sleaziest Licking Mirrors joints, as firmed up in the album’s superb riff on the ‘Voodoo Ray’ bassline in closer ‘Zero Hours’, or the no-fucks-given disco prance of ‘Lick The Bag’, but it’s basically all bang on the money for feeling like you’re up-to-the-hilt in an endless weekend session. Keys in the pot!
Sultry, kinky disco tricks from the belly of Glasgow, going like sexier siblings of Golden Teacher or Gabe Gurnsey on a classy debut album
‘Love Without Illusion’ is a winking invitation to dance from Pleasure Pool’s Finn O’Hare (synths, production), Andrew Robertson (vocals) and a coterie of players from Glasgow’s envied scene. Rife with cowbells and sinuous dubbing, it feels like a clear echo of the influences that went into cult 2010’s project Golden Teacher, themselves a product of Glasgow’s fecund party and gig networks, but distinguished by their slower pacing and groggy/wired after-after-party gait.
We can also hear parallels with certain Manchester groups in there, too, from nods to early ACR thru Ste Spandex’s sleaziest Licking Mirrors joints, as firmed up in the album’s superb riff on the ‘Voodoo Ray’ bassline in closer ‘Zero Hours’, or the no-fucks-given disco prance of ‘Lick The Bag’, but it’s basically all bang on the money for feeling like you’re up-to-the-hilt in an endless weekend session. Keys in the pot!
Sultry, kinky disco tricks from the belly of Glasgow, going like sexier siblings of Golden Teacher or Gabe Gurnsey on a classy debut album
‘Love Without Illusion’ is a winking invitation to dance from Pleasure Pool’s Finn O’Hare (synths, production), Andrew Robertson (vocals) and a coterie of players from Glasgow’s envied scene. Rife with cowbells and sinuous dubbing, it feels like a clear echo of the influences that went into cult 2010’s project Golden Teacher, themselves a product of Glasgow’s fecund party and gig networks, but distinguished by their slower pacing and groggy/wired after-after-party gait.
We can also hear parallels with certain Manchester groups in there, too, from nods to early ACR thru Ste Spandex’s sleaziest Licking Mirrors joints, as firmed up in the album’s superb riff on the ‘Voodoo Ray’ bassline in closer ‘Zero Hours’, or the no-fucks-given disco prance of ‘Lick The Bag’, but it’s basically all bang on the money for feeling like you’re up-to-the-hilt in an endless weekend session. Keys in the pot!
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Sultry, kinky disco tricks from the belly of Glasgow, going like sexier siblings of Golden Teacher or Gabe Gurnsey on a classy debut album
‘Love Without Illusion’ is a winking invitation to dance from Pleasure Pool’s Finn O’Hare (synths, production), Andrew Robertson (vocals) and a coterie of players from Glasgow’s envied scene. Rife with cowbells and sinuous dubbing, it feels like a clear echo of the influences that went into cult 2010’s project Golden Teacher, themselves a product of Glasgow’s fecund party and gig networks, but distinguished by their slower pacing and groggy/wired after-after-party gait.
We can also hear parallels with certain Manchester groups in there, too, from nods to early ACR thru Ste Spandex’s sleaziest Licking Mirrors joints, as firmed up in the album’s superb riff on the ‘Voodoo Ray’ bassline in closer ‘Zero Hours’, or the no-fucks-given disco prance of ‘Lick The Bag’, but it’s basically all bang on the money for feeling like you’re up-to-the-hilt in an endless weekend session. Keys in the pot!