Funk Masters' Love Money with Bo Kool's (Money) No Love on the flip.
"Few records crossed over into different musical worlds as successfully as the Funk Masters’ sublime UK disco / jazz funk monster classic cut, ‘Love Money’. Originally released in 1981, the track came out on the flipside over a rap cut to the song by Bo Kool, one of the earliest examples of UK rap, but it was the instrumental ‘Love Money’, with its dubbed out sound effects, that was more often played, filling dancefloors everywhere.
This nod to reggae and dub was not by chance. The track was produced by long-time UK resident Jamaican reggae DJ and producer Tony Williams. This was his first attempt at a club track but, by using reggae musicians, he created new style blending funk, disco and reggae, years ahead of its time.
So if ever you want to hear a record that encapsulates the world of disco, funk, proto-house, hip-hop, no wave dance and reggae in one go then this is it."
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Funk Masters' Love Money with Bo Kool's (Money) No Love on the flip.
"Few records crossed over into different musical worlds as successfully as the Funk Masters’ sublime UK disco / jazz funk monster classic cut, ‘Love Money’. Originally released in 1981, the track came out on the flipside over a rap cut to the song by Bo Kool, one of the earliest examples of UK rap, but it was the instrumental ‘Love Money’, with its dubbed out sound effects, that was more often played, filling dancefloors everywhere.
This nod to reggae and dub was not by chance. The track was produced by long-time UK resident Jamaican reggae DJ and producer Tony Williams. This was his first attempt at a club track but, by using reggae musicians, he created new style blending funk, disco and reggae, years ahead of its time.
So if ever you want to hear a record that encapsulates the world of disco, funk, proto-house, hip-hop, no wave dance and reggae in one go then this is it."
Funk Masters' Love Money with Bo Kool's (Money) No Love on the flip.
"Few records crossed over into different musical worlds as successfully as the Funk Masters’ sublime UK disco / jazz funk monster classic cut, ‘Love Money’. Originally released in 1981, the track came out on the flipside over a rap cut to the song by Bo Kool, one of the earliest examples of UK rap, but it was the instrumental ‘Love Money’, with its dubbed out sound effects, that was more often played, filling dancefloors everywhere.
This nod to reggae and dub was not by chance. The track was produced by long-time UK resident Jamaican reggae DJ and producer Tony Williams. This was his first attempt at a club track but, by using reggae musicians, he created new style blending funk, disco and reggae, years ahead of its time.
So if ever you want to hear a record that encapsulates the world of disco, funk, proto-house, hip-hop, no wave dance and reggae in one go then this is it."
Funk Masters' Love Money with Bo Kool's (Money) No Love on the flip.
"Few records crossed over into different musical worlds as successfully as the Funk Masters’ sublime UK disco / jazz funk monster classic cut, ‘Love Money’. Originally released in 1981, the track came out on the flipside over a rap cut to the song by Bo Kool, one of the earliest examples of UK rap, but it was the instrumental ‘Love Money’, with its dubbed out sound effects, that was more often played, filling dancefloors everywhere.
This nod to reggae and dub was not by chance. The track was produced by long-time UK resident Jamaican reggae DJ and producer Tony Williams. This was his first attempt at a club track but, by using reggae musicians, he created new style blending funk, disco and reggae, years ahead of its time.
So if ever you want to hear a record that encapsulates the world of disco, funk, proto-house, hip-hop, no wave dance and reggae in one go then this is it."
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Funk Masters' Love Money with Bo Kool's (Money) No Love on the flip.
"Few records crossed over into different musical worlds as successfully as the Funk Masters’ sublime UK disco / jazz funk monster classic cut, ‘Love Money’. Originally released in 1981, the track came out on the flipside over a rap cut to the song by Bo Kool, one of the earliest examples of UK rap, but it was the instrumental ‘Love Money’, with its dubbed out sound effects, that was more often played, filling dancefloors everywhere.
This nod to reggae and dub was not by chance. The track was produced by long-time UK resident Jamaican reggae DJ and producer Tony Williams. This was his first attempt at a club track but, by using reggae musicians, he created new style blending funk, disco and reggae, years ahead of its time.
So if ever you want to hear a record that encapsulates the world of disco, funk, proto-house, hip-hop, no wave dance and reggae in one go then this is it."