Boomkat Product Review:
Over 2.5 hours of beautiful, affective deep house, collating all material from their now sold-out double packs and the newly issued triple LP 3rd volume. The first CD contains all of Will Long's original productions, the second CD all of Sprinkles' versions.
As promised, Tokyo, Japan-based American artists, Will Long (Celer) and DJ Sprinkles offer a CD edition of Long Trax, gathering all three vinyl volumes of their sublime, durational deep house studies examining the dancefloor in light of contemporary socio-political inequalities and failed illusions of ‘Revolution’ and ‘Progression’, for Terre Thaemlitz’ Comatonse label.
Revolving around some of the deepest house music you’ll hear in 2016, Long Trax collects beautifully modest, economical productions backed with corresponding, masterful overdubs by DJ Sprinkles that reassert the sound’s original intentions and aesthetics in a way that’s inarguably closer in structure, feel and intent to the original, queer and black-rooted dance music of late ‘80s/early ‘90s NYC, yet feels timelessly effective.
Collected, these tracks outline their point with tactile subtlety and clarity; using minimal, era-consistent means of rhythm composer percussion, polyphonic synth chords and rack-mounted samplers to reveal a humbling alternative to flashy, overproduced, modern deep house that effectively runs counter to its badly repackaged vibes and empty sloganeering and its position as the catalyst of social trends, rather than social transformation.
The beautifully absorbing results - which sound miles away from Long’s gentler ambient and experimental work - are testament to the democracy of early deep house and prove that it is possible to elicit subtle yet optimal responses with a well-selected palette of grooves and samples, faithfully taken from speeches by civil rights leaders including Jesse Jackson, H. Rap Brown, T.R.M. Howard, John Lewis, Kathleen Cleaver and Bayard Jackson, respectively.
To perfectly underline that point, DJ Sprinkles’ meticulous, pensile overdubs quite literally and psycho-acoustically resonate their intention by tactfully rending a farther, lush physicality and soulfulness from Long’s slinky bones. Whether adding a lick of rolling, era-consistent breaks to Under-Currents or nimbly toying the bassline of Daylight and Dark with frankly jaw-dropping results, her overdubs prove that there’s a whole world of new sounds to be drawn out from within, and with relatively simple, classic technique, provided you’re willing to look deep enough.
It is rare that a conceptually rooted project should occur within the realm of modern deep house, and perhaps even rarer that its conceptual thrust resonates so systematically and with such meticulous attention to detail and faith in the subject. But, considering the project’s inputs, we’d hardly expect any less from these two exceptional artists.