Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
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Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
Blue Jay vinyl.
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Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
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Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."
In Stock (Ready To Ship)
Doiron's second album, originally released on Sub Pop in 1997 and now bundled with three bonus tracks, is one of the era's delicate high points - one for fans of Cat Power, Smog, Liz Phair, or more recently, Adrianne Lenker.
Doiron was fated to release a solo record on Sub Pop. The label had snapped her up early, when she was fronting cult Canadian lo-fi/psych band Eric's Trip, and although she self-released her debut 'Broken Girl', she looped right back to Sub Pop for her first official Julie Doiron solo album. Recorded in Memphis, the album's less charmingly intimate than its predecessor, but Doiron's dynamic voice sounds ideal, accompanied only sparely by her guitar. The most startling thing is that she wasn't urged to overcomplicate the material: there's some subtle lap steel on 'Sorry Part I' and slow, boxy drums on 'Explain', but for the most part it's just Doiron and her feelings placed vulnerably out in the open. The record assembles itself on 'Sorry Part II', when Doiron's prior psych influences bubble to the surface with distant Mellotron wails and pedal distortions that underpin her heartfelt vocals. "Tell me you're OK," she cracks. "And tell me you're glad I came here."