Alina Astrova (Inga Copeland, Hype Williams) customarily dispenses Lolina’s yearly report with Lolita, a self-released white label of warped bleep-techno-pop and clipped dembow bump.
Arriving a year on from her Lolin & Scratchin’ mix CD with DVA for BUS Editions, Lolita ‘fesses a perfectly uneasy trio of aces taking in the title track’s curdled dancehall tones and slippery lyrics on the A-side, while the flip sets her lilting, off-kilter vocals to dissonant dembow knocks on Keep It Movin’, whereas Plot Twist is the EP’s lone, wriggly neon instrumental, like some half-cooked prototype that crept out of Errorsmith’s studio when he wasn’t looking.
Great, obviously.
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Alina Astrova (Inga Copeland, Hype Williams) customarily dispenses Lolina’s yearly report with Lolita, a self-released white label of warped bleep-techno-pop and clipped dembow bump.
Arriving a year on from her Lolin & Scratchin’ mix CD with DVA for BUS Editions, Lolita ‘fesses a perfectly uneasy trio of aces taking in the title track’s curdled dancehall tones and slippery lyrics on the A-side, while the flip sets her lilting, off-kilter vocals to dissonant dembow knocks on Keep It Movin’, whereas Plot Twist is the EP’s lone, wriggly neon instrumental, like some half-cooked prototype that crept out of Errorsmith’s studio when he wasn’t looking.
Great, obviously.
Alina Astrova (Inga Copeland, Hype Williams) customarily dispenses Lolina’s yearly report with Lolita, a self-released white label of warped bleep-techno-pop and clipped dembow bump.
Arriving a year on from her Lolin & Scratchin’ mix CD with DVA for BUS Editions, Lolita ‘fesses a perfectly uneasy trio of aces taking in the title track’s curdled dancehall tones and slippery lyrics on the A-side, while the flip sets her lilting, off-kilter vocals to dissonant dembow knocks on Keep It Movin’, whereas Plot Twist is the EP’s lone, wriggly neon instrumental, like some half-cooked prototype that crept out of Errorsmith’s studio when he wasn’t looking.
Great, obviously.
Alina Astrova (Inga Copeland, Hype Williams) customarily dispenses Lolina’s yearly report with Lolita, a self-released white label of warped bleep-techno-pop and clipped dembow bump.
Arriving a year on from her Lolin & Scratchin’ mix CD with DVA for BUS Editions, Lolita ‘fesses a perfectly uneasy trio of aces taking in the title track’s curdled dancehall tones and slippery lyrics on the A-side, while the flip sets her lilting, off-kilter vocals to dissonant dembow knocks on Keep It Movin’, whereas Plot Twist is the EP’s lone, wriggly neon instrumental, like some half-cooked prototype that crept out of Errorsmith’s studio when he wasn’t looking.
Great, obviously.
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Alina Astrova (Inga Copeland, Hype Williams) customarily dispenses Lolina’s yearly report with Lolita, a self-released white label of warped bleep-techno-pop and clipped dembow bump.
Arriving a year on from her Lolin & Scratchin’ mix CD with DVA for BUS Editions, Lolita ‘fesses a perfectly uneasy trio of aces taking in the title track’s curdled dancehall tones and slippery lyrics on the A-side, while the flip sets her lilting, off-kilter vocals to dissonant dembow knocks on Keep It Movin’, whereas Plot Twist is the EP’s lone, wriggly neon instrumental, like some half-cooked prototype that crept out of Errorsmith’s studio when he wasn’t looking.
Great, obviously.