UKG & UKF staple Scotti Dee makes big man moves with a trio of UK x ama x Afrotek pearls for Bristol’s Club Djembe
Since the late ‘90s UKG phenomena, Scotti Dee is one of the key producers who has kept abreast of the shifting tides and currents in underground UK music, following a thru-line where it takes him, while holding to classic values of rude groove and heads-down vibe.
Following a slew of cuts for Supa D’s HouSupa label in recent years, Scotti stays in step with prevailing tastes for the slower, heavier pressure of South African amapiano and Afrohouse for Club Djembe, a Bristol event series-turned-label who’ve previously hosted everyone from DJ Polo to fiyahdred and SAYE.
The title tune follows the lead of his HouSupa aces with a killer stroke of swingeing log drums and darkside bass pressure that hits where it matters, before ‘Fopcus Drum’ dials up the percussion in the mix over that signature brooding bass to locked-in effect, and ‘Yardi Party’ perhaps best betrays his links to UKF in its nagging organ refrain and the sort of direct suss that made his ‘Liberty’ 12” a staple around our way.
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UKG & UKF staple Scotti Dee makes big man moves with a trio of UK x ama x Afrotek pearls for Bristol’s Club Djembe
Since the late ‘90s UKG phenomena, Scotti Dee is one of the key producers who has kept abreast of the shifting tides and currents in underground UK music, following a thru-line where it takes him, while holding to classic values of rude groove and heads-down vibe.
Following a slew of cuts for Supa D’s HouSupa label in recent years, Scotti stays in step with prevailing tastes for the slower, heavier pressure of South African amapiano and Afrohouse for Club Djembe, a Bristol event series-turned-label who’ve previously hosted everyone from DJ Polo to fiyahdred and SAYE.
The title tune follows the lead of his HouSupa aces with a killer stroke of swingeing log drums and darkside bass pressure that hits where it matters, before ‘Fopcus Drum’ dials up the percussion in the mix over that signature brooding bass to locked-in effect, and ‘Yardi Party’ perhaps best betrays his links to UKF in its nagging organ refrain and the sort of direct suss that made his ‘Liberty’ 12” a staple around our way.
UKG & UKF staple Scotti Dee makes big man moves with a trio of UK x ama x Afrotek pearls for Bristol’s Club Djembe
Since the late ‘90s UKG phenomena, Scotti Dee is one of the key producers who has kept abreast of the shifting tides and currents in underground UK music, following a thru-line where it takes him, while holding to classic values of rude groove and heads-down vibe.
Following a slew of cuts for Supa D’s HouSupa label in recent years, Scotti stays in step with prevailing tastes for the slower, heavier pressure of South African amapiano and Afrohouse for Club Djembe, a Bristol event series-turned-label who’ve previously hosted everyone from DJ Polo to fiyahdred and SAYE.
The title tune follows the lead of his HouSupa aces with a killer stroke of swingeing log drums and darkside bass pressure that hits where it matters, before ‘Fopcus Drum’ dials up the percussion in the mix over that signature brooding bass to locked-in effect, and ‘Yardi Party’ perhaps best betrays his links to UKF in its nagging organ refrain and the sort of direct suss that made his ‘Liberty’ 12” a staple around our way.
UKG & UKF staple Scotti Dee makes big man moves with a trio of UK x ama x Afrotek pearls for Bristol’s Club Djembe
Since the late ‘90s UKG phenomena, Scotti Dee is one of the key producers who has kept abreast of the shifting tides and currents in underground UK music, following a thru-line where it takes him, while holding to classic values of rude groove and heads-down vibe.
Following a slew of cuts for Supa D’s HouSupa label in recent years, Scotti stays in step with prevailing tastes for the slower, heavier pressure of South African amapiano and Afrohouse for Club Djembe, a Bristol event series-turned-label who’ve previously hosted everyone from DJ Polo to fiyahdred and SAYE.
The title tune follows the lead of his HouSupa aces with a killer stroke of swingeing log drums and darkside bass pressure that hits where it matters, before ‘Fopcus Drum’ dials up the percussion in the mix over that signature brooding bass to locked-in effect, and ‘Yardi Party’ perhaps best betrays his links to UKF in its nagging organ refrain and the sort of direct suss that made his ‘Liberty’ 12” a staple around our way.