LMNL002 - Poetry of the Vanished Territories
Reliably offbeat club label Oscilla Sound host a richly expressionistic, abstract sonic cartography of Ukraine, surveyed and mutated in transient forms by Andriy K. & pryvyd, and tipped to Lee Gamble or Buttechno fans.
‘LMNL002 - Poetry of the Vanished Territories’ explores the fidelity of memory and passage of time in a flux of open source data and field recordings that derive heady, tumultuous abstraction from fact. Aspects of natural reality are shredded, decimated into disciplined maelstrom that can be heard to steel nerves against a changing world. Embarking with the brackish swill of textured, suspenseful, aerated electronics in ‘Lybid’, so named for the tributary of the Dneuper that flows thru Kyiv, their horizons expand and contract between the 15 minute diptych of brownian, Autechrian slosh and buckled atmospheres to ‘Kinburn Before’ and the heart-in-mouth, weightless feels evoked by ‘Kinburn After’, again both titled for the estuarial region on the Black Sea coast, to sharpen their teeth in the barbed roil of a standout ‘Ozon Dub’, whilst ‘Oily Sea’ evinces tracts of water polluted by industry and war in its congealing structure.
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Reliably offbeat club label Oscilla Sound host a richly expressionistic, abstract sonic cartography of Ukraine, surveyed and mutated in transient forms by Andriy K. & pryvyd, and tipped to Lee Gamble or Buttechno fans.
‘LMNL002 - Poetry of the Vanished Territories’ explores the fidelity of memory and passage of time in a flux of open source data and field recordings that derive heady, tumultuous abstraction from fact. Aspects of natural reality are shredded, decimated into disciplined maelstrom that can be heard to steel nerves against a changing world. Embarking with the brackish swill of textured, suspenseful, aerated electronics in ‘Lybid’, so named for the tributary of the Dneuper that flows thru Kyiv, their horizons expand and contract between the 15 minute diptych of brownian, Autechrian slosh and buckled atmospheres to ‘Kinburn Before’ and the heart-in-mouth, weightless feels evoked by ‘Kinburn After’, again both titled for the estuarial region on the Black Sea coast, to sharpen their teeth in the barbed roil of a standout ‘Ozon Dub’, whilst ‘Oily Sea’ evinces tracts of water polluted by industry and war in its congealing structure.
Reliably offbeat club label Oscilla Sound host a richly expressionistic, abstract sonic cartography of Ukraine, surveyed and mutated in transient forms by Andriy K. & pryvyd, and tipped to Lee Gamble or Buttechno fans.
‘LMNL002 - Poetry of the Vanished Territories’ explores the fidelity of memory and passage of time in a flux of open source data and field recordings that derive heady, tumultuous abstraction from fact. Aspects of natural reality are shredded, decimated into disciplined maelstrom that can be heard to steel nerves against a changing world. Embarking with the brackish swill of textured, suspenseful, aerated electronics in ‘Lybid’, so named for the tributary of the Dneuper that flows thru Kyiv, their horizons expand and contract between the 15 minute diptych of brownian, Autechrian slosh and buckled atmospheres to ‘Kinburn Before’ and the heart-in-mouth, weightless feels evoked by ‘Kinburn After’, again both titled for the estuarial region on the Black Sea coast, to sharpen their teeth in the barbed roil of a standout ‘Ozon Dub’, whilst ‘Oily Sea’ evinces tracts of water polluted by industry and war in its congealing structure.
Reliably offbeat club label Oscilla Sound host a richly expressionistic, abstract sonic cartography of Ukraine, surveyed and mutated in transient forms by Andriy K. & pryvyd, and tipped to Lee Gamble or Buttechno fans.
‘LMNL002 - Poetry of the Vanished Territories’ explores the fidelity of memory and passage of time in a flux of open source data and field recordings that derive heady, tumultuous abstraction from fact. Aspects of natural reality are shredded, decimated into disciplined maelstrom that can be heard to steel nerves against a changing world. Embarking with the brackish swill of textured, suspenseful, aerated electronics in ‘Lybid’, so named for the tributary of the Dneuper that flows thru Kyiv, their horizons expand and contract between the 15 minute diptych of brownian, Autechrian slosh and buckled atmospheres to ‘Kinburn Before’ and the heart-in-mouth, weightless feels evoked by ‘Kinburn After’, again both titled for the estuarial region on the Black Sea coast, to sharpen their teeth in the barbed roil of a standout ‘Ozon Dub’, whilst ‘Oily Sea’ evinces tracts of water polluted by industry and war in its congealing structure.