Stroomy's latest is an anthology of live excerpts from Belgian eccentrics Alto Fuero, who describe their cartoonish intermixture of jerky, electro-acoustic rhythms, pitch-munged vocal chants and twisted synths as "post-folk".
It's an act of bravery to emerge with a live album, but it suits Alto Fuero down to the ground. The Brussels-based duo of Victoria Palacios and Loto Retina revel in serendipity, and their spirited live performances are they key to unpacking their bizarre tangle of styles and expressions. Captured between 2022 and 2023 at various venues, 'Live Rec' gives us an introduction to their "post-folk" mode - a singular fusion where you might find hardstyle kicks next to squealing vocalizations and wormy flutes. Their self-titled theme tune might be the best place to start; it's been sped up, according to the tracklist, and was recorded in France at Le Confort Moderne. A punky shout introduces the duo, with West Asian flute sounds and hollow acoustic drum sounds filling in the gaps - but the mood is quickly ruptures by deafening, distorted electronic kicks and spiky oscillations.
Alto Fuero lunge further into pop on 'La Bebida', but just as you think you've got a handle on their wonky DIY electro-pop, the vocals veer into cartoonish wails, and the beats splinter into a chaos of MIDI hits and rolling rimshots. 'Te Dice NANANA!' is even more absurd, a warbling, singalong chant that's splayed awkwardly over brittle footwork drums, giggles and flute snatches, and on 'Menero', a beatless theatrical theme transforms into a swingy lurch of sculpted, plastique drum smacks and dissociated FX. Alto Fuero are out on their own here.
View more
Stroomy's latest is an anthology of live excerpts from Belgian eccentrics Alto Fuero, who describe their cartoonish intermixture of jerky, electro-acoustic rhythms, pitch-munged vocal chants and twisted synths as "post-folk".
It's an act of bravery to emerge with a live album, but it suits Alto Fuero down to the ground. The Brussels-based duo of Victoria Palacios and Loto Retina revel in serendipity, and their spirited live performances are they key to unpacking their bizarre tangle of styles and expressions. Captured between 2022 and 2023 at various venues, 'Live Rec' gives us an introduction to their "post-folk" mode - a singular fusion where you might find hardstyle kicks next to squealing vocalizations and wormy flutes. Their self-titled theme tune might be the best place to start; it's been sped up, according to the tracklist, and was recorded in France at Le Confort Moderne. A punky shout introduces the duo, with West Asian flute sounds and hollow acoustic drum sounds filling in the gaps - but the mood is quickly ruptures by deafening, distorted electronic kicks and spiky oscillations.
Alto Fuero lunge further into pop on 'La Bebida', but just as you think you've got a handle on their wonky DIY electro-pop, the vocals veer into cartoonish wails, and the beats splinter into a chaos of MIDI hits and rolling rimshots. 'Te Dice NANANA!' is even more absurd, a warbling, singalong chant that's splayed awkwardly over brittle footwork drums, giggles and flute snatches, and on 'Menero', a beatless theatrical theme transforms into a swingy lurch of sculpted, plastique drum smacks and dissociated FX. Alto Fuero are out on their own here.
Stroomy's latest is an anthology of live excerpts from Belgian eccentrics Alto Fuero, who describe their cartoonish intermixture of jerky, electro-acoustic rhythms, pitch-munged vocal chants and twisted synths as "post-folk".
It's an act of bravery to emerge with a live album, but it suits Alto Fuero down to the ground. The Brussels-based duo of Victoria Palacios and Loto Retina revel in serendipity, and their spirited live performances are they key to unpacking their bizarre tangle of styles and expressions. Captured between 2022 and 2023 at various venues, 'Live Rec' gives us an introduction to their "post-folk" mode - a singular fusion where you might find hardstyle kicks next to squealing vocalizations and wormy flutes. Their self-titled theme tune might be the best place to start; it's been sped up, according to the tracklist, and was recorded in France at Le Confort Moderne. A punky shout introduces the duo, with West Asian flute sounds and hollow acoustic drum sounds filling in the gaps - but the mood is quickly ruptures by deafening, distorted electronic kicks and spiky oscillations.
Alto Fuero lunge further into pop on 'La Bebida', but just as you think you've got a handle on their wonky DIY electro-pop, the vocals veer into cartoonish wails, and the beats splinter into a chaos of MIDI hits and rolling rimshots. 'Te Dice NANANA!' is even more absurd, a warbling, singalong chant that's splayed awkwardly over brittle footwork drums, giggles and flute snatches, and on 'Menero', a beatless theatrical theme transforms into a swingy lurch of sculpted, plastique drum smacks and dissociated FX. Alto Fuero are out on their own here.
Stroomy's latest is an anthology of live excerpts from Belgian eccentrics Alto Fuero, who describe their cartoonish intermixture of jerky, electro-acoustic rhythms, pitch-munged vocal chants and twisted synths as "post-folk".
It's an act of bravery to emerge with a live album, but it suits Alto Fuero down to the ground. The Brussels-based duo of Victoria Palacios and Loto Retina revel in serendipity, and their spirited live performances are they key to unpacking their bizarre tangle of styles and expressions. Captured between 2022 and 2023 at various venues, 'Live Rec' gives us an introduction to their "post-folk" mode - a singular fusion where you might find hardstyle kicks next to squealing vocalizations and wormy flutes. Their self-titled theme tune might be the best place to start; it's been sped up, according to the tracklist, and was recorded in France at Le Confort Moderne. A punky shout introduces the duo, with West Asian flute sounds and hollow acoustic drum sounds filling in the gaps - but the mood is quickly ruptures by deafening, distorted electronic kicks and spiky oscillations.
Alto Fuero lunge further into pop on 'La Bebida', but just as you think you've got a handle on their wonky DIY electro-pop, the vocals veer into cartoonish wails, and the beats splinter into a chaos of MIDI hits and rolling rimshots. 'Te Dice NANANA!' is even more absurd, a warbling, singalong chant that's splayed awkwardly over brittle footwork drums, giggles and flute snatches, and on 'Menero', a beatless theatrical theme transforms into a swingy lurch of sculpted, plastique drum smacks and dissociated FX. Alto Fuero are out on their own here.
Limited edition CD.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Stroomy's latest is an anthology of live excerpts from Belgian eccentrics Alto Fuero, who describe their cartoonish intermixture of jerky, electro-acoustic rhythms, pitch-munged vocal chants and twisted synths as "post-folk".
It's an act of bravery to emerge with a live album, but it suits Alto Fuero down to the ground. The Brussels-based duo of Victoria Palacios and Loto Retina revel in serendipity, and their spirited live performances are they key to unpacking their bizarre tangle of styles and expressions. Captured between 2022 and 2023 at various venues, 'Live Rec' gives us an introduction to their "post-folk" mode - a singular fusion where you might find hardstyle kicks next to squealing vocalizations and wormy flutes. Their self-titled theme tune might be the best place to start; it's been sped up, according to the tracklist, and was recorded in France at Le Confort Moderne. A punky shout introduces the duo, with West Asian flute sounds and hollow acoustic drum sounds filling in the gaps - but the mood is quickly ruptures by deafening, distorted electronic kicks and spiky oscillations.
Alto Fuero lunge further into pop on 'La Bebida', but just as you think you've got a handle on their wonky DIY electro-pop, the vocals veer into cartoonish wails, and the beats splinter into a chaos of MIDI hits and rolling rimshots. 'Te Dice NANANA!' is even more absurd, a warbling, singalong chant that's splayed awkwardly over brittle footwork drums, giggles and flute snatches, and on 'Menero', a beatless theatrical theme transforms into a swingy lurch of sculpted, plastique drum smacks and dissociated FX. Alto Fuero are out on their own here.