'LIVE IN KEELE 1977', is the latest in CAN’s series of live albums, released on Mute and Future Days.
"'LIVE IN KEELE 1977' is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner.
This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay is augmented by the addition of Rosko Gee (Traffic) on bass. Gee’s recent addition to the line-up meant that Holger Czukay was freed up from bass duties to perform “waveform radio and spec. sounds”, manifesting here as otherworldly sounds, samples and what one reviewer of a later show described as “moontalk to a white continental telephone.”
1977 was a difficult period for CAN; their recently released eighth studio album, Saw Delight, had been badly received and although posterity has been kinder to the album, the reviews on release were savage. Journalist, broadcaster and author Jennifer Lucy Allan’s meticulous research of the time, place and context of the performance on the accompanying sleeve notes led her to declare of the album: “On paper, unremarkable. In practice, a precious hunk of sonic material.” Before going on to remind us that “The heads know – forums and published books alike agree – that ‘76-’77 is the best of the Can live years (Keele included). A couple of the tracks from this show have been included on fan-made “best of” live bootlegs over the years. And wow, are they right”."
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Includes 4 page booklet with exclusive in depth sleeve notes by Jennifer Lucy Allan. Etching on side D.
Estimated Release Date: 22 November 2024
Please note that shipping dates for pre-orders are estimated and are subject to change
'LIVE IN KEELE 1977', is the latest in CAN’s series of live albums, released on Mute and Future Days.
"'LIVE IN KEELE 1977' is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner.
This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay is augmented by the addition of Rosko Gee (Traffic) on bass. Gee’s recent addition to the line-up meant that Holger Czukay was freed up from bass duties to perform “waveform radio and spec. sounds”, manifesting here as otherworldly sounds, samples and what one reviewer of a later show described as “moontalk to a white continental telephone.”
1977 was a difficult period for CAN; their recently released eighth studio album, Saw Delight, had been badly received and although posterity has been kinder to the album, the reviews on release were savage. Journalist, broadcaster and author Jennifer Lucy Allan’s meticulous research of the time, place and context of the performance on the accompanying sleeve notes led her to declare of the album: “On paper, unremarkable. In practice, a precious hunk of sonic material.” Before going on to remind us that “The heads know – forums and published books alike agree – that ‘76-’77 is the best of the Can live years (Keele included). A couple of the tracks from this show have been included on fan-made “best of” live bootlegs over the years. And wow, are they right”."
Includes 12 page booklet with exclusive in depth sleeve notes by Jennifer Lucy Allan. Packaged in a card eco pack.
Estimated Release Date: 22 November 2024
Please note that shipping dates for pre-orders are estimated and are subject to change
'LIVE IN KEELE 1977', is the latest in CAN’s series of live albums, released on Mute and Future Days.
"'LIVE IN KEELE 1977' is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner.
This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay is augmented by the addition of Rosko Gee (Traffic) on bass. Gee’s recent addition to the line-up meant that Holger Czukay was freed up from bass duties to perform “waveform radio and spec. sounds”, manifesting here as otherworldly sounds, samples and what one reviewer of a later show described as “moontalk to a white continental telephone.”
1977 was a difficult period for CAN; their recently released eighth studio album, Saw Delight, had been badly received and although posterity has been kinder to the album, the reviews on release were savage. Journalist, broadcaster and author Jennifer Lucy Allan’s meticulous research of the time, place and context of the performance on the accompanying sleeve notes led her to declare of the album: “On paper, unremarkable. In practice, a precious hunk of sonic material.” Before going on to remind us that “The heads know – forums and published books alike agree – that ‘76-’77 is the best of the Can live years (Keele included). A couple of the tracks from this show have been included on fan-made “best of” live bootlegs over the years. And wow, are they right”."