Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.
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Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.
Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.
Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.
Limited edition first pressing on Gold vinyl packaged in triple gatefold sleeve. Plus 12” 4 page booklet with new extensive sleeve notes.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.
6 page gatefold card pack plus 16 page booklet with new extensive sleeve notes.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Can's live series continues with another pit-taped psychedelic sesh from 1975, following Spring's release of "Live in Stuttgart 1975". Unhinged music that captures the Krautrock pioneers at their most vital - outside of the studio, performing in front of a crowd of weirdos.
By 1975, Can's studio juice was running dry. That year's 'Landed' was a far cry from '71's "Tago Mago" - after losing idiosyncratic vocalist Damo Suzuki, their recorded music began to take on a more boxed-in sound. But as "Live in Stuttgart 1975" demonstrates, they were still just as ragged and rough around the edges. Like its predecessor, "Live in Brighton 1975" is another privately taped recording, remastered under the watchful eye of Can co-founder Irmin Schmidt.
It sounds exceptional given the covert nature of the recording, which is a testament to the equipment used to clean it up and producer Rene Tinner's keen ear. Split into seven sprawling sections, it features material that never made it to Can's recorded catalogue - we're guessing it may not have even been performed again - and most interesting for Can devotees, it features a rare (indistinct) vocal from guitarist Michael Karoli and an epic drum solo from Jaki Liebezeit.
With sleeve notes from Rob Young and journalist Kris Needs, it's a well assembled package that fleshes out the Can story into new dimensions.