Thomas Lehn & Marcus Schmickler
Live Double Seance [Antaa Kalojen Uida]
If like us you're still recovering from the ecstatic onslaught of Marcus Schmickler's recent Peter Rehberg collaboration on PAN, prepare to be hospitalised again, this time by Shmickler in partnership with a different laptop magus, Germany's Thomas Lehn. Coming courtesy of Mego, it's a live recording of a 6-channel loudspeaker concert of improvised electronic music given in November 2010 at Äänen Lumo Festival for New Sounds on Suomenlinna Island, Helsinki. No editing, mixing or post-production has been applied to the recording, which makes the spatial dynamism and all-round wallop of the sounds it captures all the more remarkable. Across its 46-minute duration, we're variously reminded of the digital battery, analogue experimentation and all-round patch-craft of Keith Fullerton Whitman, Jim O'Rourke and Ben Vida, the sub-heavy techno industrialism of Pan Sonic and occasionally the all-out malevolent power electronics of William Bennett and Dominick Fernow. Richly satisfying stuff, essential for fans of extreme and uncompromising electronic music.
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If like us you're still recovering from the ecstatic onslaught of Marcus Schmickler's recent Peter Rehberg collaboration on PAN, prepare to be hospitalised again, this time by Shmickler in partnership with a different laptop magus, Germany's Thomas Lehn. Coming courtesy of Mego, it's a live recording of a 6-channel loudspeaker concert of improvised electronic music given in November 2010 at Äänen Lumo Festival for New Sounds on Suomenlinna Island, Helsinki. No editing, mixing or post-production has been applied to the recording, which makes the spatial dynamism and all-round wallop of the sounds it captures all the more remarkable. Across its 46-minute duration, we're variously reminded of the digital battery, analogue experimentation and all-round patch-craft of Keith Fullerton Whitman, Jim O'Rourke and Ben Vida, the sub-heavy techno industrialism of Pan Sonic and occasionally the all-out malevolent power electronics of William Bennett and Dominick Fernow. Richly satisfying stuff, essential for fans of extreme and uncompromising electronic music.
If like us you're still recovering from the ecstatic onslaught of Marcus Schmickler's recent Peter Rehberg collaboration on PAN, prepare to be hospitalised again, this time by Shmickler in partnership with a different laptop magus, Germany's Thomas Lehn. Coming courtesy of Mego, it's a live recording of a 6-channel loudspeaker concert of improvised electronic music given in November 2010 at Äänen Lumo Festival for New Sounds on Suomenlinna Island, Helsinki. No editing, mixing or post-production has been applied to the recording, which makes the spatial dynamism and all-round wallop of the sounds it captures all the more remarkable. Across its 46-minute duration, we're variously reminded of the digital battery, analogue experimentation and all-round patch-craft of Keith Fullerton Whitman, Jim O'Rourke and Ben Vida, the sub-heavy techno industrialism of Pan Sonic and occasionally the all-out malevolent power electronics of William Bennett and Dominick Fernow. Richly satisfying stuff, essential for fans of extreme and uncompromising electronic music.
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If like us you're still recovering from the ecstatic onslaught of Marcus Schmickler's recent Peter Rehberg collaboration on PAN, prepare to be hospitalised again, this time by Shmickler in partnership with a different laptop magus, Germany's Thomas Lehn. Coming courtesy of Mego, it's a live recording of a 6-channel loudspeaker concert of improvised electronic music given in November 2010 at Äänen Lumo Festival for New Sounds on Suomenlinna Island, Helsinki. No editing, mixing or post-production has been applied to the recording, which makes the spatial dynamism and all-round wallop of the sounds it captures all the more remarkable. Across its 46-minute duration, we're variously reminded of the digital battery, analogue experimentation and all-round patch-craft of Keith Fullerton Whitman, Jim O'Rourke and Ben Vida, the sub-heavy techno industrialism of Pan Sonic and occasionally the all-out malevolent power electronics of William Bennett and Dominick Fernow. Richly satisfying stuff, essential for fans of extreme and uncompromising electronic music.