Kuedo’s Knives present a scintillating ‘mixtape’ of sorts by L.A.’s Nicholas Zhu a.k.a. bod...
With Limpid Fear bod invites listeners to swan dive into his mind and see/hear/touch the sights, unfurling as 30-odd-minutes of electronic filigree laced with traditional Chinese instrumentation subtly framed in classical chorus and composition.
It’s a style already familiar to Knives releases, from the expansive visions of Kuedo to the precision of J.G. Biberkopf or v1984’s melodramas, but bod distinguish themselves by the inclusion of sylvan sadlad bleats and Chinese instrumentation, which cannily loops back into Vex’d roots in sino-obsessed grime and dubstep as much as his fascination with classic anime soundtracks, which is possibly the best prism thru which to view this release - as an action-packed and emotive rush of sound images in flux between rapid motion, desolation, panic and ecstasy with an accelerated intensity of sensation.
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Kuedo’s Knives present a scintillating ‘mixtape’ of sorts by L.A.’s Nicholas Zhu a.k.a. bod...
With Limpid Fear bod invites listeners to swan dive into his mind and see/hear/touch the sights, unfurling as 30-odd-minutes of electronic filigree laced with traditional Chinese instrumentation subtly framed in classical chorus and composition.
It’s a style already familiar to Knives releases, from the expansive visions of Kuedo to the precision of J.G. Biberkopf or v1984’s melodramas, but bod distinguish themselves by the inclusion of sylvan sadlad bleats and Chinese instrumentation, which cannily loops back into Vex’d roots in sino-obsessed grime and dubstep as much as his fascination with classic anime soundtracks, which is possibly the best prism thru which to view this release - as an action-packed and emotive rush of sound images in flux between rapid motion, desolation, panic and ecstasy with an accelerated intensity of sensation.
Kuedo’s Knives present a scintillating ‘mixtape’ of sorts by L.A.’s Nicholas Zhu a.k.a. bod...
With Limpid Fear bod invites listeners to swan dive into his mind and see/hear/touch the sights, unfurling as 30-odd-minutes of electronic filigree laced with traditional Chinese instrumentation subtly framed in classical chorus and composition.
It’s a style already familiar to Knives releases, from the expansive visions of Kuedo to the precision of J.G. Biberkopf or v1984’s melodramas, but bod distinguish themselves by the inclusion of sylvan sadlad bleats and Chinese instrumentation, which cannily loops back into Vex’d roots in sino-obsessed grime and dubstep as much as his fascination with classic anime soundtracks, which is possibly the best prism thru which to view this release - as an action-packed and emotive rush of sound images in flux between rapid motion, desolation, panic and ecstasy with an accelerated intensity of sensation.
Kuedo’s Knives present a scintillating ‘mixtape’ of sorts by L.A.’s Nicholas Zhu a.k.a. bod...
With Limpid Fear bod invites listeners to swan dive into his mind and see/hear/touch the sights, unfurling as 30-odd-minutes of electronic filigree laced with traditional Chinese instrumentation subtly framed in classical chorus and composition.
It’s a style already familiar to Knives releases, from the expansive visions of Kuedo to the precision of J.G. Biberkopf or v1984’s melodramas, but bod distinguish themselves by the inclusion of sylvan sadlad bleats and Chinese instrumentation, which cannily loops back into Vex’d roots in sino-obsessed grime and dubstep as much as his fascination with classic anime soundtracks, which is possibly the best prism thru which to view this release - as an action-packed and emotive rush of sound images in flux between rapid motion, desolation, panic and ecstasy with an accelerated intensity of sensation.
Limited edition cassette packaged with a double sided risograph print.
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Kuedo’s Knives present a scintillating ‘mixtape’ of sorts by L.A.’s Nicholas Zhu a.k.a. bod...
With Limpid Fear bod invites listeners to swan dive into his mind and see/hear/touch the sights, unfurling as 30-odd-minutes of electronic filigree laced with traditional Chinese instrumentation subtly framed in classical chorus and composition.
It’s a style already familiar to Knives releases, from the expansive visions of Kuedo to the precision of J.G. Biberkopf or v1984’s melodramas, but bod distinguish themselves by the inclusion of sylvan sadlad bleats and Chinese instrumentation, which cannily loops back into Vex’d roots in sino-obsessed grime and dubstep as much as his fascination with classic anime soundtracks, which is possibly the best prism thru which to view this release - as an action-packed and emotive rush of sound images in flux between rapid motion, desolation, panic and ecstasy with an accelerated intensity of sensation.