Amsterdam’s Konduku stretches out on a deep minimal bass excursion for Idle Hands following an album and 12”s with Nous’klaer Audio in 2018
Playing well into Idle Hands’ carefully patient, low key and intimate style, the 12” spins between beautifully suspended subbass and subaquatic pads, like a dank Villalobos, in the cavernous space of Lila’, alongside the serene patient of bird calls that flock over rolling minimalist electro patterns on ‘Kaş Merkez’, whereas ‘Bolu’ swings on a very well tucked 2-step in smoky, noir vibes, and ‘Caduta Di Massi’ simmers on a subtly distinguished sort of electro dub house flex with a delicacy comparable to Isolée productions, but moodier.
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Amsterdam’s Konduku stretches out on a deep minimal bass excursion for Idle Hands following an album and 12”s with Nous’klaer Audio in 2018
Playing well into Idle Hands’ carefully patient, low key and intimate style, the 12” spins between beautifully suspended subbass and subaquatic pads, like a dank Villalobos, in the cavernous space of Lila’, alongside the serene patient of bird calls that flock over rolling minimalist electro patterns on ‘Kaş Merkez’, whereas ‘Bolu’ swings on a very well tucked 2-step in smoky, noir vibes, and ‘Caduta Di Massi’ simmers on a subtly distinguished sort of electro dub house flex with a delicacy comparable to Isolée productions, but moodier.
Amsterdam’s Konduku stretches out on a deep minimal bass excursion for Idle Hands following an album and 12”s with Nous’klaer Audio in 2018
Playing well into Idle Hands’ carefully patient, low key and intimate style, the 12” spins between beautifully suspended subbass and subaquatic pads, like a dank Villalobos, in the cavernous space of Lila’, alongside the serene patient of bird calls that flock over rolling minimalist electro patterns on ‘Kaş Merkez’, whereas ‘Bolu’ swings on a very well tucked 2-step in smoky, noir vibes, and ‘Caduta Di Massi’ simmers on a subtly distinguished sort of electro dub house flex with a delicacy comparable to Isolée productions, but moodier.
Amsterdam’s Konduku stretches out on a deep minimal bass excursion for Idle Hands following an album and 12”s with Nous’klaer Audio in 2018
Playing well into Idle Hands’ carefully patient, low key and intimate style, the 12” spins between beautifully suspended subbass and subaquatic pads, like a dank Villalobos, in the cavernous space of Lila’, alongside the serene patient of bird calls that flock over rolling minimalist electro patterns on ‘Kaş Merkez’, whereas ‘Bolu’ swings on a very well tucked 2-step in smoky, noir vibes, and ‘Caduta Di Massi’ simmers on a subtly distinguished sort of electro dub house flex with a delicacy comparable to Isolée productions, but moodier.
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Amsterdam’s Konduku stretches out on a deep minimal bass excursion for Idle Hands following an album and 12”s with Nous’klaer Audio in 2018
Playing well into Idle Hands’ carefully patient, low key and intimate style, the 12” spins between beautifully suspended subbass and subaquatic pads, like a dank Villalobos, in the cavernous space of Lila’, alongside the serene patient of bird calls that flock over rolling minimalist electro patterns on ‘Kaş Merkez’, whereas ‘Bolu’ swings on a very well tucked 2-step in smoky, noir vibes, and ‘Caduta Di Massi’ simmers on a subtly distinguished sort of electro dub house flex with a delicacy comparable to Isolée productions, but moodier.