Back on L.I.E.S., Legowelt pays tribute to Amiga soundtracks and grotty vintage electro on 'Like a Song from your Dream', ignoring any contemporary trends in the process. RIYL Dopplereffekt, DMX Krew, Bochum Welt or AUX 88.
Who else but Danny Wolfers would kick off their latest record with a bit-reduced crack screen-style melody and a canned vocal stating: "I compose hit after hit on my Amiga 1200." The prolific Dutch producer has been swerving contemporary logic since the '90s, and this latest set is as raw as he gets - a middle finger to the obsessively overproduced dreck that's clogging the festival stages right now. Without paying attention to psychoacoustics and gated compression, Wolfers is free to crack his knuckles tweaking the things that really matter: basslines, rhythms and his punky, freeform vocals. "I'll never be square," he croaks on 'Always Take it There', letting the squeezable bass and 16-bit era melodies ratify his message, and the crunchy TR-606 slaps shuttle the track where it needs to go.
Wolfers keeps his tongue in his cheek throughout, not exactly tearing down the industry but challenging the trajectory towards utter dullness. 'Cottagecore XTC' is a satirical rave memory that sounds as chaotic and fuzzy as the real thing, and the title track is the Other People Place covered by an acid-munching one-man band, out of tune and barely coherent but strangely exhilarating. He might just be the Jandek of electro.
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Back on L.I.E.S., Legowelt pays tribute to Amiga soundtracks and grotty vintage electro on 'Like a Song from your Dream', ignoring any contemporary trends in the process. RIYL Dopplereffekt, DMX Krew, Bochum Welt or AUX 88.
Who else but Danny Wolfers would kick off their latest record with a bit-reduced crack screen-style melody and a canned vocal stating: "I compose hit after hit on my Amiga 1200." The prolific Dutch producer has been swerving contemporary logic since the '90s, and this latest set is as raw as he gets - a middle finger to the obsessively overproduced dreck that's clogging the festival stages right now. Without paying attention to psychoacoustics and gated compression, Wolfers is free to crack his knuckles tweaking the things that really matter: basslines, rhythms and his punky, freeform vocals. "I'll never be square," he croaks on 'Always Take it There', letting the squeezable bass and 16-bit era melodies ratify his message, and the crunchy TR-606 slaps shuttle the track where it needs to go.
Wolfers keeps his tongue in his cheek throughout, not exactly tearing down the industry but challenging the trajectory towards utter dullness. 'Cottagecore XTC' is a satirical rave memory that sounds as chaotic and fuzzy as the real thing, and the title track is the Other People Place covered by an acid-munching one-man band, out of tune and barely coherent but strangely exhilarating. He might just be the Jandek of electro.
Back on L.I.E.S., Legowelt pays tribute to Amiga soundtracks and grotty vintage electro on 'Like a Song from your Dream', ignoring any contemporary trends in the process. RIYL Dopplereffekt, DMX Krew, Bochum Welt or AUX 88.
Who else but Danny Wolfers would kick off their latest record with a bit-reduced crack screen-style melody and a canned vocal stating: "I compose hit after hit on my Amiga 1200." The prolific Dutch producer has been swerving contemporary logic since the '90s, and this latest set is as raw as he gets - a middle finger to the obsessively overproduced dreck that's clogging the festival stages right now. Without paying attention to psychoacoustics and gated compression, Wolfers is free to crack his knuckles tweaking the things that really matter: basslines, rhythms and his punky, freeform vocals. "I'll never be square," he croaks on 'Always Take it There', letting the squeezable bass and 16-bit era melodies ratify his message, and the crunchy TR-606 slaps shuttle the track where it needs to go.
Wolfers keeps his tongue in his cheek throughout, not exactly tearing down the industry but challenging the trajectory towards utter dullness. 'Cottagecore XTC' is a satirical rave memory that sounds as chaotic and fuzzy as the real thing, and the title track is the Other People Place covered by an acid-munching one-man band, out of tune and barely coherent but strangely exhilarating. He might just be the Jandek of electro.
Back on L.I.E.S., Legowelt pays tribute to Amiga soundtracks and grotty vintage electro on 'Like a Song from your Dream', ignoring any contemporary trends in the process. RIYL Dopplereffekt, DMX Krew, Bochum Welt or AUX 88.
Who else but Danny Wolfers would kick off their latest record with a bit-reduced crack screen-style melody and a canned vocal stating: "I compose hit after hit on my Amiga 1200." The prolific Dutch producer has been swerving contemporary logic since the '90s, and this latest set is as raw as he gets - a middle finger to the obsessively overproduced dreck that's clogging the festival stages right now. Without paying attention to psychoacoustics and gated compression, Wolfers is free to crack his knuckles tweaking the things that really matter: basslines, rhythms and his punky, freeform vocals. "I'll never be square," he croaks on 'Always Take it There', letting the squeezable bass and 16-bit era melodies ratify his message, and the crunchy TR-606 slaps shuttle the track where it needs to go.
Wolfers keeps his tongue in his cheek throughout, not exactly tearing down the industry but challenging the trajectory towards utter dullness. 'Cottagecore XTC' is a satirical rave memory that sounds as chaotic and fuzzy as the real thing, and the title track is the Other People Place covered by an acid-munching one-man band, out of tune and barely coherent but strangely exhilarating. He might just be the Jandek of electro.
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Back on L.I.E.S., Legowelt pays tribute to Amiga soundtracks and grotty vintage electro on 'Like a Song from your Dream', ignoring any contemporary trends in the process. RIYL Dopplereffekt, DMX Krew, Bochum Welt or AUX 88.
Who else but Danny Wolfers would kick off their latest record with a bit-reduced crack screen-style melody and a canned vocal stating: "I compose hit after hit on my Amiga 1200." The prolific Dutch producer has been swerving contemporary logic since the '90s, and this latest set is as raw as he gets - a middle finger to the obsessively overproduced dreck that's clogging the festival stages right now. Without paying attention to psychoacoustics and gated compression, Wolfers is free to crack his knuckles tweaking the things that really matter: basslines, rhythms and his punky, freeform vocals. "I'll never be square," he croaks on 'Always Take it There', letting the squeezable bass and 16-bit era melodies ratify his message, and the crunchy TR-606 slaps shuttle the track where it needs to go.
Wolfers keeps his tongue in his cheek throughout, not exactly tearing down the industry but challenging the trajectory towards utter dullness. 'Cottagecore XTC' is a satirical rave memory that sounds as chaotic and fuzzy as the real thing, and the title track is the Other People Place covered by an acid-munching one-man band, out of tune and barely coherent but strangely exhilarating. He might just be the Jandek of electro.