LDN’s John Glacier shakes hands with Young for her superb first EP for the label, starring beats by Kwes, Flume and Vegyn, plus an Eartheater guest vocal.
Sighted first on the self-released song ‘Broken Macbook’ (2017) - which ended up on a NON comp - John Glacier has risen to acclaim the old fashioned way - by word of mouth and keen ears who could hear a dare-to-differ soul in her nervy beats, and which was accentuated again by her co-production with Vegyn on the Dean Blunt-esque ’Shiloh’. Her new suite ‘Like a Ribbon’ now sees Glacier lean back more confident in her sound with a wickedly fuzzed-up, down-stroked brand of soul and rap with nuff grit in the circuits, comparable to the London microcosm surrounding Mica Levi, Tirzah and their regular spar Kwes Darko.
Pronounced in a signature, Hackney-accented drawl, Glacier’s songs speak about daydreaming, trust and love, drawing distinctions between her younger self and lessons learned as grown up. Accompanied by promo video and set to a scuzzy beat by Kwes, lead cut ‘Money Shows’ pairs her low down bars with the contrast of a wraithlike Eartheater, whilst the rest of the EP oozes between the slumped Vegyn beat to ‘Satellites’, a nodding groove that underlies her drizzle of Giggs-like flow on ‘Tripsteady’, and fine contrasts in the tart trance synths rubbed on the screwed dancehall of ‘Emotions’, and the the icy cool but nervous nugget ‘Nevasure’ reminding us of an early Chief Keef beat high on US E-numbers.
Sick.
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LDN’s John Glacier shakes hands with Young for her superb first EP for the label, starring beats by Kwes, Flume and Vegyn, plus an Eartheater guest vocal.
Sighted first on the self-released song ‘Broken Macbook’ (2017) - which ended up on a NON comp - John Glacier has risen to acclaim the old fashioned way - by word of mouth and keen ears who could hear a dare-to-differ soul in her nervy beats, and which was accentuated again by her co-production with Vegyn on the Dean Blunt-esque ’Shiloh’. Her new suite ‘Like a Ribbon’ now sees Glacier lean back more confident in her sound with a wickedly fuzzed-up, down-stroked brand of soul and rap with nuff grit in the circuits, comparable to the London microcosm surrounding Mica Levi, Tirzah and their regular spar Kwes Darko.
Pronounced in a signature, Hackney-accented drawl, Glacier’s songs speak about daydreaming, trust and love, drawing distinctions between her younger self and lessons learned as grown up. Accompanied by promo video and set to a scuzzy beat by Kwes, lead cut ‘Money Shows’ pairs her low down bars with the contrast of a wraithlike Eartheater, whilst the rest of the EP oozes between the slumped Vegyn beat to ‘Satellites’, a nodding groove that underlies her drizzle of Giggs-like flow on ‘Tripsteady’, and fine contrasts in the tart trance synths rubbed on the screwed dancehall of ‘Emotions’, and the the icy cool but nervous nugget ‘Nevasure’ reminding us of an early Chief Keef beat high on US E-numbers.
Sick.
LDN’s John Glacier shakes hands with Young for her superb first EP for the label, starring beats by Kwes, Flume and Vegyn, plus an Eartheater guest vocal.
Sighted first on the self-released song ‘Broken Macbook’ (2017) - which ended up on a NON comp - John Glacier has risen to acclaim the old fashioned way - by word of mouth and keen ears who could hear a dare-to-differ soul in her nervy beats, and which was accentuated again by her co-production with Vegyn on the Dean Blunt-esque ’Shiloh’. Her new suite ‘Like a Ribbon’ now sees Glacier lean back more confident in her sound with a wickedly fuzzed-up, down-stroked brand of soul and rap with nuff grit in the circuits, comparable to the London microcosm surrounding Mica Levi, Tirzah and their regular spar Kwes Darko.
Pronounced in a signature, Hackney-accented drawl, Glacier’s songs speak about daydreaming, trust and love, drawing distinctions between her younger self and lessons learned as grown up. Accompanied by promo video and set to a scuzzy beat by Kwes, lead cut ‘Money Shows’ pairs her low down bars with the contrast of a wraithlike Eartheater, whilst the rest of the EP oozes between the slumped Vegyn beat to ‘Satellites’, a nodding groove that underlies her drizzle of Giggs-like flow on ‘Tripsteady’, and fine contrasts in the tart trance synths rubbed on the screwed dancehall of ‘Emotions’, and the the icy cool but nervous nugget ‘Nevasure’ reminding us of an early Chief Keef beat high on US E-numbers.
Sick.
LDN’s John Glacier shakes hands with Young for her superb first EP for the label, starring beats by Kwes, Flume and Vegyn, plus an Eartheater guest vocal.
Sighted first on the self-released song ‘Broken Macbook’ (2017) - which ended up on a NON comp - John Glacier has risen to acclaim the old fashioned way - by word of mouth and keen ears who could hear a dare-to-differ soul in her nervy beats, and which was accentuated again by her co-production with Vegyn on the Dean Blunt-esque ’Shiloh’. Her new suite ‘Like a Ribbon’ now sees Glacier lean back more confident in her sound with a wickedly fuzzed-up, down-stroked brand of soul and rap with nuff grit in the circuits, comparable to the London microcosm surrounding Mica Levi, Tirzah and their regular spar Kwes Darko.
Pronounced in a signature, Hackney-accented drawl, Glacier’s songs speak about daydreaming, trust and love, drawing distinctions between her younger self and lessons learned as grown up. Accompanied by promo video and set to a scuzzy beat by Kwes, lead cut ‘Money Shows’ pairs her low down bars with the contrast of a wraithlike Eartheater, whilst the rest of the EP oozes between the slumped Vegyn beat to ‘Satellites’, a nodding groove that underlies her drizzle of Giggs-like flow on ‘Tripsteady’, and fine contrasts in the tart trance synths rubbed on the screwed dancehall of ‘Emotions’, and the the icy cool but nervous nugget ‘Nevasure’ reminding us of an early Chief Keef beat high on US E-numbers.
Sick.