Light Self All Others
Tarotplane follows up that ‘Horizontology’ pearl for 12th Isle with a new album of amorphous Berlin School electronics, glistening guitar tones and field recordings.
The album emerged from a wealth of material collected between 2019-2021 in a self-described “haphazard” process in which PJ Dorsey collected hundreds of loops, riffs and samples over which he strummed his guitar. The result is blissed and layered, somewhere between classic Kosmische and modern day diaristic ambient.
There’s an enviable naivety to much of 'Light Self All Others’, harking back to a New Age ideal of sound as spiritual healer, but while there are stereotypical motifs deployed in that mode - flowing water, birdsong, rustling leaves, the guitar dubs and vocal samples skew things in a slightly more ambiguous direction.
If yr into anything from Steve Hillage to FSOL’s Lifeforms to Conrad Schnitzler - we’d wager this one will press many of yr buttons.
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Tarotplane follows up that ‘Horizontology’ pearl for 12th Isle with a new album of amorphous Berlin School electronics, glistening guitar tones and field recordings.
The album emerged from a wealth of material collected between 2019-2021 in a self-described “haphazard” process in which PJ Dorsey collected hundreds of loops, riffs and samples over which he strummed his guitar. The result is blissed and layered, somewhere between classic Kosmische and modern day diaristic ambient.
There’s an enviable naivety to much of 'Light Self All Others’, harking back to a New Age ideal of sound as spiritual healer, but while there are stereotypical motifs deployed in that mode - flowing water, birdsong, rustling leaves, the guitar dubs and vocal samples skew things in a slightly more ambiguous direction.
If yr into anything from Steve Hillage to FSOL’s Lifeforms to Conrad Schnitzler - we’d wager this one will press many of yr buttons.
Tarotplane follows up that ‘Horizontology’ pearl for 12th Isle with a new album of amorphous Berlin School electronics, glistening guitar tones and field recordings.
The album emerged from a wealth of material collected between 2019-2021 in a self-described “haphazard” process in which PJ Dorsey collected hundreds of loops, riffs and samples over which he strummed his guitar. The result is blissed and layered, somewhere between classic Kosmische and modern day diaristic ambient.
There’s an enviable naivety to much of 'Light Self All Others’, harking back to a New Age ideal of sound as spiritual healer, but while there are stereotypical motifs deployed in that mode - flowing water, birdsong, rustling leaves, the guitar dubs and vocal samples skew things in a slightly more ambiguous direction.
If yr into anything from Steve Hillage to FSOL’s Lifeforms to Conrad Schnitzler - we’d wager this one will press many of yr buttons.
Tarotplane follows up that ‘Horizontology’ pearl for 12th Isle with a new album of amorphous Berlin School electronics, glistening guitar tones and field recordings.
The album emerged from a wealth of material collected between 2019-2021 in a self-described “haphazard” process in which PJ Dorsey collected hundreds of loops, riffs and samples over which he strummed his guitar. The result is blissed and layered, somewhere between classic Kosmische and modern day diaristic ambient.
There’s an enviable naivety to much of 'Light Self All Others’, harking back to a New Age ideal of sound as spiritual healer, but while there are stereotypical motifs deployed in that mode - flowing water, birdsong, rustling leaves, the guitar dubs and vocal samples skew things in a slightly more ambiguous direction.
If yr into anything from Steve Hillage to FSOL’s Lifeforms to Conrad Schnitzler - we’d wager this one will press many of yr buttons.
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Tarotplane follows up that ‘Horizontology’ pearl for 12th Isle with a new album of amorphous Berlin School electronics, glistening guitar tones and field recordings.
The album emerged from a wealth of material collected between 2019-2021 in a self-described “haphazard” process in which PJ Dorsey collected hundreds of loops, riffs and samples over which he strummed his guitar. The result is blissed and layered, somewhere between classic Kosmische and modern day diaristic ambient.
There’s an enviable naivety to much of 'Light Self All Others’, harking back to a New Age ideal of sound as spiritual healer, but while there are stereotypical motifs deployed in that mode - flowing water, birdsong, rustling leaves, the guitar dubs and vocal samples skew things in a slightly more ambiguous direction.
If yr into anything from Steve Hillage to FSOL’s Lifeforms to Conrad Schnitzler - we’d wager this one will press many of yr buttons.