Lenticular (Single)
CPU slice off two slo-mo highlights from Nadia Struiwigh’s debut album, Lenticular onto 12”, including the brooding mass of the title cut and her swampy midnight trek, Trip In Fiction.
The Rotterdam-based artist’s follow-up to 12”s with Rosedale Records and ADRO Records pursues an atmospheric line of enquiry on Lenticular, with grumbling bass and spidery trills elegantly carrying a top heavy payload of keening, bittersweet pads and gauzy choral work into a smudged, impressionistic space between early B12 and Æ.
Flipped she rolls on a purring slo-mo engine into awning ambient realms recalling the vibes of Joey Beltram’s Aonox album or ambient early-mid ‘90s Plastikman, but with a smudged, gauzier resolution that time-stamps it to 2017.
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CPU slice off two slo-mo highlights from Nadia Struiwigh’s debut album, Lenticular onto 12”, including the brooding mass of the title cut and her swampy midnight trek, Trip In Fiction.
The Rotterdam-based artist’s follow-up to 12”s with Rosedale Records and ADRO Records pursues an atmospheric line of enquiry on Lenticular, with grumbling bass and spidery trills elegantly carrying a top heavy payload of keening, bittersweet pads and gauzy choral work into a smudged, impressionistic space between early B12 and Æ.
Flipped she rolls on a purring slo-mo engine into awning ambient realms recalling the vibes of Joey Beltram’s Aonox album or ambient early-mid ‘90s Plastikman, but with a smudged, gauzier resolution that time-stamps it to 2017.
CPU slice off two slo-mo highlights from Nadia Struiwigh’s debut album, Lenticular onto 12”, including the brooding mass of the title cut and her swampy midnight trek, Trip In Fiction.
The Rotterdam-based artist’s follow-up to 12”s with Rosedale Records and ADRO Records pursues an atmospheric line of enquiry on Lenticular, with grumbling bass and spidery trills elegantly carrying a top heavy payload of keening, bittersweet pads and gauzy choral work into a smudged, impressionistic space between early B12 and Æ.
Flipped she rolls on a purring slo-mo engine into awning ambient realms recalling the vibes of Joey Beltram’s Aonox album or ambient early-mid ‘90s Plastikman, but with a smudged, gauzier resolution that time-stamps it to 2017.
CPU slice off two slo-mo highlights from Nadia Struiwigh’s debut album, Lenticular onto 12”, including the brooding mass of the title cut and her swampy midnight trek, Trip In Fiction.
The Rotterdam-based artist’s follow-up to 12”s with Rosedale Records and ADRO Records pursues an atmospheric line of enquiry on Lenticular, with grumbling bass and spidery trills elegantly carrying a top heavy payload of keening, bittersweet pads and gauzy choral work into a smudged, impressionistic space between early B12 and Æ.
Flipped she rolls on a purring slo-mo engine into awning ambient realms recalling the vibes of Joey Beltram’s Aonox album or ambient early-mid ‘90s Plastikman, but with a smudged, gauzier resolution that time-stamps it to 2017.
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CPU slice off two slo-mo highlights from Nadia Struiwigh’s debut album, Lenticular onto 12”, including the brooding mass of the title cut and her swampy midnight trek, Trip In Fiction.
The Rotterdam-based artist’s follow-up to 12”s with Rosedale Records and ADRO Records pursues an atmospheric line of enquiry on Lenticular, with grumbling bass and spidery trills elegantly carrying a top heavy payload of keening, bittersweet pads and gauzy choral work into a smudged, impressionistic space between early B12 and Æ.
Flipped she rolls on a purring slo-mo engine into awning ambient realms recalling the vibes of Joey Beltram’s Aonox album or ambient early-mid ‘90s Plastikman, but with a smudged, gauzier resolution that time-stamps it to 2017.