Chicago footwork catalyst RP Boo shells archival zingers on a 10 year follow-up to his first album for Planet Mu.
‘Legacy Volume 2’ hails the happiest man in footwork with 13 stuttering shots spanning tunes found on the groundbreaking ‘Bangs & Works’ compilation thru to unreleased material produced during footwork’s formative years 2002-2007. Justifiably claimed as “to footwork what Juan Atkins is to techno”, RP Boo can also rightly be heard as its Dilla or Pete Rock for his innovative, sampledelic chop-up techniques which source new musical life from ostensibly obsolete media, rather than original synthesis, and in a way that clearly distinguished a previous era from that which followed, as he morphed Dance Mania’s ghetto-house grid patterns to wilder options for the dancers. Anyone who has followed dance music since the ‘00s knows this to be true, and ‘Legacy Volume 2’ sprays its evidence from the hip.
Built to fuel intense duels at War Zone on the Chi’s west side, ’Eraser’ is surely well known from 2010’s introductory ‘Bangs & Works’ and opens a serious roll call of aces taking in that set’s bounding ‘Total Darkness’ plus compilation cuts you might have missed in the likes of his percolator ‘Azzoutof Control’ and a load of bangers finally unleashed from 2007’s ‘Dude Off 59th Street’ mixtape. They include the self-explanatory ‘Porno’ that taps well into Chicago’s psychosexual proclivities, and the wickedly daft ’Knock Out’ and ‘Pop Machine’ - so titled after a malfunctioning soda vending machine at work - next to the bellicose string dates of ‘Say Grace’ and over-pronating funk of ‘Last Night’.
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Chicago footwork catalyst RP Boo shells archival zingers on a 10 year follow-up to his first album for Planet Mu.
‘Legacy Volume 2’ hails the happiest man in footwork with 13 stuttering shots spanning tunes found on the groundbreaking ‘Bangs & Works’ compilation thru to unreleased material produced during footwork’s formative years 2002-2007. Justifiably claimed as “to footwork what Juan Atkins is to techno”, RP Boo can also rightly be heard as its Dilla or Pete Rock for his innovative, sampledelic chop-up techniques which source new musical life from ostensibly obsolete media, rather than original synthesis, and in a way that clearly distinguished a previous era from that which followed, as he morphed Dance Mania’s ghetto-house grid patterns to wilder options for the dancers. Anyone who has followed dance music since the ‘00s knows this to be true, and ‘Legacy Volume 2’ sprays its evidence from the hip.
Built to fuel intense duels at War Zone on the Chi’s west side, ’Eraser’ is surely well known from 2010’s introductory ‘Bangs & Works’ and opens a serious roll call of aces taking in that set’s bounding ‘Total Darkness’ plus compilation cuts you might have missed in the likes of his percolator ‘Azzoutof Control’ and a load of bangers finally unleashed from 2007’s ‘Dude Off 59th Street’ mixtape. They include the self-explanatory ‘Porno’ that taps well into Chicago’s psychosexual proclivities, and the wickedly daft ’Knock Out’ and ‘Pop Machine’ - so titled after a malfunctioning soda vending machine at work - next to the bellicose string dates of ‘Say Grace’ and over-pronating funk of ‘Last Night’.
Chicago footwork catalyst RP Boo shells archival zingers on a 10 year follow-up to his first album for Planet Mu.
‘Legacy Volume 2’ hails the happiest man in footwork with 13 stuttering shots spanning tunes found on the groundbreaking ‘Bangs & Works’ compilation thru to unreleased material produced during footwork’s formative years 2002-2007. Justifiably claimed as “to footwork what Juan Atkins is to techno”, RP Boo can also rightly be heard as its Dilla or Pete Rock for his innovative, sampledelic chop-up techniques which source new musical life from ostensibly obsolete media, rather than original synthesis, and in a way that clearly distinguished a previous era from that which followed, as he morphed Dance Mania’s ghetto-house grid patterns to wilder options for the dancers. Anyone who has followed dance music since the ‘00s knows this to be true, and ‘Legacy Volume 2’ sprays its evidence from the hip.
Built to fuel intense duels at War Zone on the Chi’s west side, ’Eraser’ is surely well known from 2010’s introductory ‘Bangs & Works’ and opens a serious roll call of aces taking in that set’s bounding ‘Total Darkness’ plus compilation cuts you might have missed in the likes of his percolator ‘Azzoutof Control’ and a load of bangers finally unleashed from 2007’s ‘Dude Off 59th Street’ mixtape. They include the self-explanatory ‘Porno’ that taps well into Chicago’s psychosexual proclivities, and the wickedly daft ’Knock Out’ and ‘Pop Machine’ - so titled after a malfunctioning soda vending machine at work - next to the bellicose string dates of ‘Say Grace’ and over-pronating funk of ‘Last Night’.
Chicago footwork catalyst RP Boo shells archival zingers on a 10 year follow-up to his first album for Planet Mu.
‘Legacy Volume 2’ hails the happiest man in footwork with 13 stuttering shots spanning tunes found on the groundbreaking ‘Bangs & Works’ compilation thru to unreleased material produced during footwork’s formative years 2002-2007. Justifiably claimed as “to footwork what Juan Atkins is to techno”, RP Boo can also rightly be heard as its Dilla or Pete Rock for his innovative, sampledelic chop-up techniques which source new musical life from ostensibly obsolete media, rather than original synthesis, and in a way that clearly distinguished a previous era from that which followed, as he morphed Dance Mania’s ghetto-house grid patterns to wilder options for the dancers. Anyone who has followed dance music since the ‘00s knows this to be true, and ‘Legacy Volume 2’ sprays its evidence from the hip.
Built to fuel intense duels at War Zone on the Chi’s west side, ’Eraser’ is surely well known from 2010’s introductory ‘Bangs & Works’ and opens a serious roll call of aces taking in that set’s bounding ‘Total Darkness’ plus compilation cuts you might have missed in the likes of his percolator ‘Azzoutof Control’ and a load of bangers finally unleashed from 2007’s ‘Dude Off 59th Street’ mixtape. They include the self-explanatory ‘Porno’ that taps well into Chicago’s psychosexual proclivities, and the wickedly daft ’Knock Out’ and ‘Pop Machine’ - so titled after a malfunctioning soda vending machine at work - next to the bellicose string dates of ‘Say Grace’ and over-pronating funk of ‘Last Night’.
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Chicago footwork catalyst RP Boo shells archival zingers on a 10 year follow-up to his first album for Planet Mu.
‘Legacy Volume 2’ hails the happiest man in footwork with 13 stuttering shots spanning tunes found on the groundbreaking ‘Bangs & Works’ compilation thru to unreleased material produced during footwork’s formative years 2002-2007. Justifiably claimed as “to footwork what Juan Atkins is to techno”, RP Boo can also rightly be heard as its Dilla or Pete Rock for his innovative, sampledelic chop-up techniques which source new musical life from ostensibly obsolete media, rather than original synthesis, and in a way that clearly distinguished a previous era from that which followed, as he morphed Dance Mania’s ghetto-house grid patterns to wilder options for the dancers. Anyone who has followed dance music since the ‘00s knows this to be true, and ‘Legacy Volume 2’ sprays its evidence from the hip.
Built to fuel intense duels at War Zone on the Chi’s west side, ’Eraser’ is surely well known from 2010’s introductory ‘Bangs & Works’ and opens a serious roll call of aces taking in that set’s bounding ‘Total Darkness’ plus compilation cuts you might have missed in the likes of his percolator ‘Azzoutof Control’ and a load of bangers finally unleashed from 2007’s ‘Dude Off 59th Street’ mixtape. They include the self-explanatory ‘Porno’ that taps well into Chicago’s psychosexual proclivities, and the wickedly daft ’Knock Out’ and ‘Pop Machine’ - so titled after a malfunctioning soda vending machine at work - next to the bellicose string dates of ‘Say Grace’ and over-pronating funk of ‘Last Night’.